Ransom Riggs – Miss Peregrine’s Home for Peculiar Children

miss-peregrines-home-peculiar_book-cover
The world has its outcasts. They often have unique talents, like creating fire out of nothing or transforming David Bowie’s music into worthwhile. This gives them power. Emma can burn you down, and Marilyn Manson has sold a lot of records. Power makes people to react to you in funny ways. Some hate you just because you’re weird, others because you’re a danger. Some follow you, either because they’re afraid or they think you’re some sort of badass God.

How the outcast manages their situation is a question for many authors to answer. After all, not all powers are the same. The hatred people have for Justin Bieber is vastly different than the hatred people have for Manson. People hated Manson because he ruined kids, told them God isn’t real and that they should remain weird. As for Justin Bieber, people hated him because girls loved him. How does this work I don’t know – maybe they were simply jealous. The X-Men series is supposed to be an exploration of this question. It’s about two factions with two different views on their position. Riggs’ novel features almost direct copies of these factions.

Now, the common platitude of “everything’s been done before!” will rear its head if you’re inexperienced in literature. That’s not how originality works. Copy a template, fine. Just fill it with different materials. For a while, Riggs is successful at that. His characters, in a way, live up to their ‘peculiar’ title. Their powers are small, often coming off as genetic defects. The levitating girl doesn’t control her levitation. She’s like a balloon and has to wear weighted shoes so she won’t slip off. The invisible person takes advantage of that, but it’s a radically different life when people can’t see you.

For a while, Riggs is interested by what being an outcast is like. Our hero is thrown into that position and everyone around him calls him mentally ill. They either feel sorry for him or reject him. He’s too confused in that position, so all he can do is shoot everyone including himself. His only solid connection is with his grandfather who’s an outcast like him. He can only connect to peculiar children like him.

There’s an interesting parable here to mental illness. Look at subreddits like Sanctioned Suicide. Many mentally ill people can only connect deeply to people in the same boat as theirs. Pro-ana communities develop their own culture and jargon. We’re so quick to judge them. X-Men was meant to parallel the struggles of LGBT people, but mental illness is different. Even with social acceptance, anorexia and suicidal thoughts and self-harm are weights people carry. Even with social acceptance, peculiar people are a minority. No amount of acceptance will give the floating girl the ability to control her power.

Too bad all these ideas are blended with a dull mix of genres. If Riggs wanted to write a multicolored story, hopping from genre to genre for fun then fine. It never feels like this. He never throws the story convincingly into the elements. There’s some conviction when he dabbles in horror. The spooky monster remains shrouded in mystery for a while, and even pushed aside for some pages. Focusing on the uncertainity of the spooky monster makes the horror aspect more convincing. Unknown things are pretty scary.

All mysteries dissolve when a character just spits out exposition. In fact, no information is actually discovered or figured out. People just hand over the answers to the questions when it’s time to advance the plot. It’s like a Game Master telling you the background and name and disposition of every NPC. The knowledge descending on your character makes it stronger, but also makes the game more boring.

The bad guys want to take over the world and subjugate humanity. That’s fine, since a lot of people in real life actually did that. Why, though? Hitler, Stalin, Pol Pot and Caligula were real people. They had philosophies, personalities, and inner lives. They didn’t laugh maniacally when they ordered massacres but saw their vision of their bright future taking shape. The villains may view themselves as right, but we never get the philosophy behind their desire for power. The reason they want power isn’t because power is attractive, but because that makes them evil and useful antagonists.

Their disease infects all other characters, too. Very few characters have unique reactions or talk style. Some are silly quirks that can’t be taken seriously. The two rapper dudes are straight out of a horrible John Green novel. The natives of an island talk with broken English because that’s how people in the sticks must talk like. Others fare a little better, but Enoch’s cynicism is never elaborated upon.

He’s a great potential wasted. His power is to put actual hearts in material and make it kind-of alive. That’s the sort of power that leads one to view the value of life differently. He can bring back people from the dead but only halfway. He uses hearts as tools. Enoch often slides into a cynical, detached speech. Even among the peculiars he’s an outcast. Yet Riggs never expands on that. What is his philosophy? To which kids he relate to more, to which less? What kind of things did he do besides building a miniature army?

The protagonist is the worst insult to character development. Again, there are seeds of something worthwhile – a little cynicism, insecurity and pessimistic worldview that might lead to something. It plays instead like a side-quest in a cheap RPG game. Person meets dying man, dying man leaves some clues and person goes on to explore these clues to discover a bigger mystery. Video game protagonists are rarely well-written since it’s the player doing all the acting. Fifty pages or so into the novel, Jacob loses all personality and follows clues. He’s sometimes not sure whether he can do something, but the only drive for his decision is the reader’s desire to know more. There’s even a silly romance there that doesn’t pretend to be profound. Green mined the trope of weird girl loving a skinny dude who’s sure he’s ugly (despite skinny people being all over magazines), but Riggs merely puts a few make-out scenes. It’s too boring to be creeped out by the fact the girl is actually 80 years old or so.

The last pages of the book are a long-winded action scene. This is too sad to talk about, because it makes the book seem entirely worthless when it isn’t. The idea of a loop is quite brilliant. These kids may live long but they haven’t matured a bit, and here you have a chance to mediate about time. Riggs occasionally paints a pretty picture in his prose. The few paragraphs about the bombs and reset have enough to suffice for a short story. Why does he fill the last pages with chasing the bad guy, shooting people and a cliffhanger that relies on reading the rest of the trilogy?

Riggs’ prose is easy and pleasant enough. It’s fast, sometimes slides into introspection but never too much. That makes a decent story bearable. It’s not offensively boring, just kind of ‘there’. If Riggs did something wild with his ideas and failed, fine. He barely tries since it concludes in info dumps and shoot-outs. The photographs are actually real, which is cool but doesn’t add anything. Riggs intergates them by saying “here’s a photograph” and showing them. It’s like illustrations, only pictures instead. Maybe if Riggs tried to write a single short story surrounding them, he’ll have a safer but wider space to work his ideas.

It’s not a terrible book but not a great one, either. Maybe, as a distraction, it’s good enough. There are good ideas that may stick around and the prose is pleasant. Life is too short for distractions, though. If you like X-Men or stories about hidden strange worlds just beneath our own you might enjoy this. It’s too inoffensive for me to tell you to avoid, but also too unremarkable to offer it to anyone.

2 photographs out of 5

Advertisements

High School DXD

high-school-dxd.jpg
There’s an art to the ecchi genre. Sexual appeal may not require brains to react to, but it requires skill. Not everyone can be a stripper or a sexy dancer even if you have the right body. A good ecchi show would know symbolism and psychology aren’t part of the genre. It would know that it uses sexuality and energy to tell a fun, ridiculous story. High School DXD knows this, but doesn’t work on it.

The characters embodies the strengths and the weaknesses. Rias is worth all the hype and posters they made. You need more than big breasts to make a sexy character. Rias is sexy and not just because of her figure (which isn’t easy to design. See also: Divergence Eve). It’s also little touches like the hair, which is deliberately red. Red is both the color that attracts the most attention. Rias isn’t just meant to be pretty but she symbolizes sexuality.

Her posture, behavior and personality also help express this idea. She’s not a caricature nymphoniac who’ll be a sex slave for our main character. Rather, she’s comfortable in her sexuality. She doesn’t mind being seen naked. She’s in a position of authority that gives her a lot of power but she’s not drunk with it. Power is sexy, but being able to control it is harder and sexier.

vlcsnap-2016-01-12-11h39m10s107

She’s a charismatic, powerful presence that holds the series despite the fact everyone around her is barely half as interesting. What’s weird is that all the failures are females. They’re supposed to be just as attractive as Rias, but they’re dull.

It’s hard to see something in them beyond archetypes. Rias was an embodiment of an idea. Everyone else is a dull archetype. Asia is the complete opposite of Rias, which is something. It’s not used to its advantage. The contrast between the two never appears. We know she’s a nice girl but we only know it. We rarely see it happen. Akeno has no personality whatsoever and Koneco is a quiet loli, which was always a terrible idea and doesn’t improve here.

The designers do have talent. Later in the series a rival group is introduced, and they all have more imaginative designs than the main characters’. It’s almost as if they had two different designers, and the less creative one punished the other. Things in the rivalry team include spiral twintails, X-shaped twintails, a bikini armor and a masked figure. Even at their worst, there’s more spark to their design. Why do the main characters get the generic long hair of Akeno?

vlcsnap-2016-01-12-11h39m46s180

The male characters are actually more entertaining this time. They’re often mindless perverts or boring good guys in such shows. Issei is a combination of both, but it’s one that works. He has these attributes not because it’s convenient to the story but because they can create a personality out of it. Issei becomes both an overblown moral hero who’s just as selfish and horny as the person he goes against.

There’s irony there. It flips the story where two people beat up each other because they disagree and somehow their strength proves their idea right. I wish the irony was more developed though. Issei knows he’d like to be that asshole he’s fighting, the guy with the harem. The anime doesn’t take a step back to laugh at this, at least not enough.

The problem is that it’s not enough to just know you’re making an ecchi series. You still need direction, you need to aim somewhere. What prevents the series from becoming really enjoyable is its lack of direction. Is this about how stupid but kind of cute we are in high school when hormones drive us crazy? Or is this about a hero that’s going to push himself over the edge for a girl because he’s hungry for sex?

If the series would’ve chosen to alternate between the two, it would’ve been fine. Instead, it jumps back and forth between the two. It only gets focused at the end, where it sticks to the epic fight and nothing else. At least it’s victorious there. The fight is well-animated and has a pretty enough scenery to make it exciting. The exaggeration of the characters is also believable enough to make the final conflict feel epic enough.
vlcsnap-2016-01-12-11h40m03s115

The fantasy element is one of the good parts. It’s a cute spin on the Devil/Angel dichotomy that doesn’t pretend to be profound. The idea of devils doing services for people is rife for potential comedy. They play around with it a little and then abandon it. The epic battle was fine, but it was more fun to see Issei trying to do things and being a loser. It’s an opportunity to create odd side-characters who can have their ideas summed up in one episode. There are more seasons and I hope they play around with this more.

Now comes the fatal part, where humiliation is passed off for sexiness. I don’t mind the camera finding its way to changing rooms or how clothes get ripped off during battles in sexy ways. What I don’t understand is, is it necessary to have the characters strip others naked against their will for our enjoyment? It’s not sexy and it’s not humorous.

High School DXD knows what it isn’t, but it also doesn’t know what it is. There is heart here. These people really wanted to make an anime that will capture the fun spirit Ecchi can have, but they didn’t know how. Maybe the next seasons have more focus. I hope so. Rias is too much of a fun character and Issei is a rare Harem protagonist who actually contributes to the story. It’s a fun show, but as crazy as it sounds I think we can do more with Ecchi.

2.5 devils out of 5