Shinedown – Threat to Survival


All the talent in the world won’t help you if you don’t have an idea what you want to be. “Cut the Cord” is a brilliant rocker and nothing here sounds like it. It’s the one song where Shinedown lets loose and just let themselves rock.

Shinedown have been moving away from Post-Grunge ever since Amaryllis. Trying to find new sounds after mastering your comfort zone is great, but Sound of Madness isn’t a transcending masterpiece. It’s just a really good Hard Rock album full of hooks that makes you hope that they got more hooks in store.

Shinedown never sounded like they needed a makeover, and so far it’s not convincing. They’re not adding new sounds, but just removing the Post-Grunge antics and replace them with empty stadium boomings. Stadium Rock can be a lot of fun, but there’s no fun in tracks like “It All Adds Up”.

The sentimentality of “How Did You Love?” can be tolerated in an otherwise more fun record. Here, it sounds like Shinedown are believing their own bullshit. Imagine if Nickelback wanted you to think “Gotta Be Somedy” is a profound song. There is nothing profound or deep about Hard Rock. That’s the whole point of the genre.

There’s an attempt to chuck guitar riffs and drums for textures and some atmospherics. What they hope to achieve with these atmospherics is unclear. The atmosphere is never distinct. There are no sounds to uncover with repeated listenings. When Linkin Park threw away guitars, they piled a lot of other noises that made their melodies and rapping stick out more. Shinedown has few riffs here, and a lack isn’t an impressive achivement.

On songs that Shinedown are supposed to master, they sound clueless. They proved they could make a beautiful ballad without guitars with “Through the Ghost”. They just kept a small string section and vocals. “Misfits”‘s musical backdrop sounds like it’s supposed to be an epic closer, but the vocals sing intimate lyrics. “Dangerous” is supposed to be a sequel to “Cut the Cord”, but there are no riffs and the lyrics are too serious. Being dangerous isn’t very dangerous anymore. Society loves dangerous people. That’s why James Dean is a sex symbol.

Nothing here is bad. Shinedown got enough melodies to the album pleasant enough. It’s even refreshing how the album is more focused on the melodies rather than making noise. Still, the end result sound too lifeless. There some songs to put on the playlist, but it Shinedown’s future doesn’t look so bright.

2.5 blackĀ CadillacsĀ out of 5