(hed) pe – Broke

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There isn’t much left to do, or anywhere to go after (hed) pe’s self-titled debut. It was an explosion of Nu Metal – mixing angst and partying, Hip-Hop and sludge, melody, rapping and screaming without a care. They didn’t enjoy the success of their peers for a good reason. The album went in all direction and drowned in its own idea. It had no hit, no immediate hook. Only those who are used to such genre-jumping could’ve gotten into it.

One thing it did lack was hooks. They were catchy, but the songs didn’t revolve around them. That’s one direction the band takes in Broke. Another is fill a hole in the genre. Nu Metal is silly and exists for partying. Metalcore couldn’t replace the genre because it was too serious. Yet, no band exploited the genre’s potential as great party music. You occasionally got a “Got the Life”, but not many realized how fun all this jumping around from genre to genre can be.

Broke‘s main selling point is in its demeanor. It’s roaring guitar music about drinking, fucking and not giving a fuck. If it sounds ‘more mainstream’ than their debut, that’s because the concept needs hooks and catchiness. A progressive song like “Darky” is a lot of fun, but not something you’d play in a party. It’s too atmospheric and complex.

The band hasn’t lost any of their focus. Their executions are simpler, not reaching as wide but they don’t need to. The first five songs are all brilliant. “Waiting to Die” has growling and rapping at the same time, macho and self-pitying lyrics at the same. It’s literally the Nu Metal genre condensed into one song. “Feel Good” has the pseudo-socially conscious lyrics. “Bartender” has Boom Bap, a ridiculously catchy and feel-good chorus and an aggressive part. It was the band’s biggest hit, but it should’ve been bigger. With the Boom Bap beat and the joyous melody, it should’ve been a hit among those who liked Limp Bizkit but found the rest too grim. As for “Crazy Legs”, it’s one of the cockiest and obnoxious rock songs you’ll ever hear. It’s brillaint. When Jahred repeats over and over “You wanna slow me down?” the band sounds unstoppable, as if the later part of their career wasn’t going to happen.

The production is cleaner this time around, which helps showcase how versatile Jahred’s voice is. Critics occasionally paid attention to Nu Metal, so how hasn’t he gained acclaim as the genre’s best voice? Occasional misogyny aside (Which doesn’t rear its head here too much), he out-Patton Mike Patton here. More than any band, he mixes all vocal styles in the same song – “I Got You” features both singing, screaming and rapping. In rare instances, he does them all in the same time like in the aforementioned “Waiting to Die”.

There are two other candidates for Nu Metal’s biggest albums – the band’s own self-titled and Lostprophets’ debut. Since the former is too complex for outsiders and the latter was created by a notorious sex criminal, Broke may be the genre’s defining moment. There’s a little bit of anger, a little bit of gloom and a lot of venting frustrations with bullshit macho lyrics and genre-hopping. In general, it has everything you should want from a soundtrack to rock parties and frustration.

3.5 bartenders out of 5

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(hed) pe – (hed) pe

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All this time, a great rock album was a click away.

(hed) pe are extremely talented and completely stupid. Their singer is versatile, capable of doing anything with his voice and has plenty of personality. His lyrics are often so misogynistic that listening to Lostprophets is more comfortable. They were a band Nu Metal needed. Nu Metal had plenty of weird bands, but it needed someone to go full retard. Bands flirted with genres, but very few threw themselves with conviction. No surprise the genre spat out a bunch of decent, but fairly one-dimensional bands. In the end, the experimentation was used mainly to drive angry and catchy rock tracks.

How can such a difficult task be done so well on the first outing? (hed) pe are genre-benders and you’d think they’ll need experience before dropping a classic. Yet here they’re fully formed. Everything you want in a Nu Metal album is here whether you’re looking for noise or experimentation or fun. It even beats Lostprophets’ debut (which doesn’t count thanks to Watkins) and Slipknot’s self-titled. It has consistent songwriting, variety and little of the misogyny that plagued later records. All this time I’ve been dying for them to drop a classic and here it was.

It’s a dizzying, confusing album. No album destroys the claim that “Nu Metal was generic and whiny” like this one. (hed) pe don’t even have to experiment with critic-approved genres like Deftones to gain credibility. Nu Metal, at its best, was about making the best Faith No More album that never was. Mike Patton was too preoccupied with being weird which took away from the song. King For a Day is an impressive album, but it’s more about the Jazz in “Star A.D.” and the screaming in “Cuckoo for Caca” than a good hook with a sound that makes it more fun.

The band creates a unique sound for each track, but it’s rarely tokenism. Their pool of influence may be more limited – primarily Hip-Hop and Punk Rock, but it allows them to explore these influence more deeply. You don’t bend genres by simply dropping a rap verse there and screamed vocals in the next song. You have to integrate it into your overall sound. Sometimes they isolate elements, like in “33” or “Firsty”. Mostly, the genres blur into each other. Even on Punk songs like “Circus” you’ll get a few rapped lines here and there.

It’s the sort of album you have to go song-by-song to express how varied it is. There’s the vague Heavy Psych of “Hill”. “Ken 2012” leans towards G-Funk. “Serpent Boy” is a straight-forward Rap Metal track that puts Rage Against the Machine to shame. “Ground” has a Punk-Pop chorus to it which makes it the melodic anchor of the album. There’s another ingridient that’s necessary for the perfect Nu Metal album – a mix of fun and anger.

Another unique aspect of Nu Metal was that it was both angsty and fun at the same time. Bands who didn’t borrow Hip-Hop beats still had its party attitudes. Many songs would sound great whatever mood you are in. That’s one reason no other Rock genre has yet to replace it. Punk-Pop was too silly. Grunge was too depressed. Metalcore and Thrash are so serious it’s funny.

(hed) pe perfectly captures the fun-yet-angry mood of Nu Metal. “Firsty” is the definitive angry song full of shouting about not giving a fuck. Its lyrics are full of refusing to be what people tell you to be. “Ken 2012” has macho bullshit and bragging, only to go full Metal in an angry, but still cocky hook. “Hill” is the only track that sinks to self-pity with the inspiration of Sisyphus. It’s actually out of place – it’s a slow, sad rocker in an album full of ‘fuck you’ Punk songs and ‘I’m awesome’ Rap songs. By the time it arrives you’ve gotten so used to genre-hopping that it fits the mood.

The ultimate highlight must be “Darky”. It’s pretty long, but only because it aspires to be the best Nu Metal song ever. The rapping is surprisingly competent. The beat is funkier and the bars are busier. The chorus has pseudo-Deftones whispering and atmospherics and it ends with talking about dropping bombs and telling someone to fuck off. It’s a song you can’t comfortably slide into any genre. In general, the band is more comfortable and forward-thinking in their Rap songs. It’s bizarre they bragged about being Punk Rock when it’s the rap songs – “Ken 2012”, “Tired of Sleep” and “Serpent Boy” where they play with structures and elements. The band became incredibly stupid later, but still talented. You can’t reconcile their overall stupidity with such sophisticated songwriting.

(hed) pe is an experimental, angry, fun and catchy album. If this doesn’t convince you Nu Metal is worthwhile, then nothing will. Then again, why would someone who’s into loud balls out rock wouldn’t like this? It has Nu Metal’s fury without the whiny-ness and stupid lyrics. It has Rap’s macho bullshit attitude without boring Boom Bap. It’s experimental without resorting to tokenism, creating a sound that’s both diverse and consistent. Such albums can’t be debut. It’s supposed to take great skill and musical knowledge to produce such an album. From here it was all downhill, but at least (hed) pe dropped this before becoming insufferable douchebags.

4.5 fucks that were not given out of 5