Cute High Earth Defense Club LOVE!

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I’m glad this exists, but not sure how I feel about it besides that.

We need an anime like this. Everyone talks about how the male point of view is dominant in media. Earth Defense Club provides plenty of fanservice for females. It’s a gloriously feminine anime, all hearts and hot boys. It also has a wink-wink satirical element, which often goes against it.

The attempt at being gloriously feminine is fantastic. It’s not even moe. The character design is useful to note the difference between male power fantasies, and females’ fantasies about guys. Ultra-mascular guys aren’t fanservice for females, but for males. The strength and endurance they show isn’t automatically sexually attractive, but something males wish for themselves.

The design of the guys here isn’t macho. It’s pretty in a distinct females’-fantasy way. There is elegance and softness to their looks. It is not genderbending. The looks simply have sex appeal and confidence to them, but also a naturalness. A developed body like in JoJo clearly shows the person worked on it. An effortless body like of these characters points to superior genes. These looks are also friendly, which is necessary for sex appeal. For a change, the male design is meant to appeal to females.

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It’s also good when you don’t consider this factor. The purpose of character design is to express the characters’ traits, and they’re all designed according to their personality. Yumoto’s carelessness and love for cuteness is in his wide-eyes and childish hair. Yufuin has the indifferent eyes of a lazy person. Since everyone is meant to be sexually attractive, there’s no variety in body structure. However, even a small difference in the eyes – order-obsessed Kin’s narrow ones, beauty lover Akoya’s feminine ones – tell us enough.

Once you go past the visuals, it becomes unstable. Is it a satire of magical girl? Or does it take the female catering of the genre to its extreme? It cannot decide between the two. It cannot decide whether it wants to reveal the absurdities, or have fun with the cliches.

Both elements fight, and often negate each other. The enemies are too silly to take seriously, but they’re never wild enough. They’re wild enough to be considered ‘satirical’, but it’s mostly tokenism. The transformation scenes are fantastic and well-done. After they end the characters have to get self-aware about their customes.

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It’s confusing. Am I supposed to enjoy the hot-boy-and-love world, or to mock it? This balance between satire and tribute is nearly impossible. There is a way to accomplish it, but that means not being satirical. You take the genre’s cliches and push them to the limit in order to see how much Coolness Factor you can gain. This approach must never become self-aware. The appeal of it is that the creators don’t care about how ridiculous they get.

Earth Defense Club cares too much about how cool it is. Its detachment also harms the character development. At their core, they’re great. After a few episodes, you notice that half of them don’t offer much beyond their hobbies. Some are well-written, with interests that match their personality. Yumoto, Yufuin and Ryuu don’t just name-drop their obsession. They have their own unique reactions to every situation (Yufuin’s indifference, Ryuu’s aggression). Naruko, for the most part, doesn’t do anything but reminds the viewers he’s into money.

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The enemies often have an inner conflict, a motivation that makes them evil. This is the basic and brilliant approach to creating antagonists. The show never builds on it though. Besides ranting for a while, they don’t do much. Their monologues aren’t funny or have any insight into why they became monsters. At first, it’s exciting how every villain of the week has clear motivations. It doesn’t manner when they end up functioning in the same manner – rant for a while and then get Love Attacked.

The last episode contains a cool twists. The creators use it like a person who just won a million dollars buying 1000 bottls of craft beers. Craft beers are awesome, but if you won a million dollars there are better ways to spend it. The twist is cool, and made the wink-wink satire makes sense. However, they literally do nothing with it. It’s revealed there was something bigger than conquering the earth, power up and defeat the big bad.

The mere existence of the show is enough to make it worthwhile. Not everyday you see an anime about hot magical boys. It had a chance to do something new, to show a gloriously feminine show and be as fun as JoJo. Sadly, in the end it’s still insecure about hearts and pink and love and hot boys. The novelty value is enough to carry it for 12 episodes but I can’t imagine this working as a second season.

2.5 hot boys out of 5

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One Punch Man

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Many bad shows are a case of good ideas poorly executed. It’s rare for a show to miss its target in the premise, but One Punch Man does. For a while, the series assumes that powerful characters are a problem in fiction.

They’re not. Anyone who’s concerned with how intelligent or strong or agile a character is should stop talking about fiction. These aren’t role-playing characters. They don’t have charcter stats and skill trees. If a character has a trait, it’s supposed to be meaningful to his personality.

A character isn’t defined by how strong he is but by simply being strong. It’s not hard to write intelligent characters. Just have someone solve mathematical problems and put the answer in the character’s brain. It doesn’t matter that Max Cohen is a walking calculator. What’s interesting is how his genius affects his worldview and isolate him.

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In the first episodes, the series piledrives into the ground the idea that overpowered characters are silly. I don’t think anyone thought otherwise, so we get something like Kill La Kill only with less charisma. Everyone looks like Arnold Schwarznegger. Everyone screams and every conflict is solved with one punch. Mr. Krabs also makes a cameo appearance in the first episode, but he’s transformed into another bodybuilding loudmouth.

There’s only so much you can do with a character who solves everything with one punch. Thankfully, Saitama is not as bland as his skill. He’s a great protagonist with a personality that’s connected to his super-strength. It’s almost psychological how bored he is of all the macho bullshit, but he’s also vain and wants the attention. The anime remains satirical and exaggerated but the protagonist has a realistic psychology.

It’s Saitama’s desire for stardom and everyone’s megalomania that shapes the main arc. At this point the anime abandons making fun of obvious targets and starts creating actual absurd situations. The villains are rarely interesting. Their purpose is to always get knocked out by one punch. Rather, it’s stardom that’s being satirized.

How ironic it is to discuss the Bandwagon Fallacy in a review of a popular anime? Popularity doesn’t prove quality. Just because you don’t have a diploma from an Intelligence Institution doesn’t mean you’re stupid. Yet we take these things very seriously. People are often more curious about whether my writing is popular instead of how good it is.

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Diplomas or popularity don’t prove you’re talented. They only prove someone thinks are you are. Popularity is even worse than diplomas, though. Diplomas are given by people of authority who take their topics seriously. People can be easily swayed.

The most popular people on earth aren’t the hard workers or the life savers. The most popular people are those with the highest social value. They are the charismatic, the beautiful, the entertaining. Taylor Swift is more well-known than a person who saves a baby from a fire. That’s because Taylor is charismatic, beautiful and writes catchy songs. Just because you save a person from a fire doesn’t mean you’re a desirable social presence. It gets even worse with peolpe who Famous Because They’re Famous.

The series is wise enough not to pull that strawmen. There are these silly celebrities, but here the popularity of most heroes are justified. They’re both charismatic and talented, but they’re never as talented as Saitama.

That’s because, unlike them, he never worked on being popular. He became the strongest hero because he only put effort into being strong rather than being popular. That’s the cost of talent. Sometimes you focus so much on it that you forget to make people notice you.

There’s a major rise in quality once the series finds its satirical target. While it presents it well, pointing absurdities without resorting to strawmen it can never attain a sense of madness it aims for.

In the first episodes, it thinks it will get by having everyone scream and some stupid ideas like a muscular crab and a kabuto macho dude. I used different words but this is the same idea. It tones down later but the series never gives up on this.

There are some interesting visual ideas, but almost everything is given the macho look. It fits with themes, but after the 10th dude who looks like sirloin steak it becomes boring. When Tornado appears and we get a cute girl it’s a shock.

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Just as they are all macho dudes, their personalities are all macho. Besides Saitama’s everyman personality and Genos, who acts like he walked into the wrong anime, characters blur into each other. It makes for a consistent world. At least the anime tried to find variety in macho bullshit rather than pretend their kaleidoscopic. Still, it makes for a world that’s always less exciting than how the characters perceive it.

One Punch Man isn’t amazing and quickly stops acting like the Most Hyped Show of the Season. That’s a good thing. It’s when it realizes its limitations (the world is monochrome and tame, overpowered characters aren’t worth satirizing) and its strengths (satirizing celebrity culture, finding variety in macho bullshit) it becomes a worthwhile show that has enough personality to appeal to those outside the genre.

3.5 one punches out of 5