The Infamous has a very one-dimensional sound. Every song is a collection of street tales over hard drums with creepy piano lines. There is almost no variation.”Drink Away the Pain” deals with relationships, and it and a few songs have slightly softer drums. They do little to break from the general atmosphere of the problem. This is both the album’s biggest strength and weakness. Despite its simplicity, it’s one of the more confusing canonical rap albums.
The Infamous‘ main attraction is what it does to Gangsta Rap. Although most rappers use this sound just to tell you how tough they are, Mobb Deep add a layer of emotion. The piano hits and the hard drums are not just there to provide enjoyable and banging beats. There’s something cold and paranoid about them. The atmosphere is not of toughness, but of fear. Prodigy and Havoc sound more scared than confident.
It’s unique in a genre that’s known for its hedonism. It sounds pretty far from “Gangsta Gangsta” or Doggystyle. There’s a joylessness that’s all over the album. “Party Over” is about the party being over. On “Eye for an Eye”, they rap as if they stick together only for the sake of survival. The alliance doesn’t run deeper than that.”Drink Away the Pain”, although deviates from the gangsta stories, best illustrates this depth. Unlike a lot of songs where rappers talk about the pains of being an alpha male, sex in Mobb Deep’s world is just another drug that gets the pain away. Prodigy doesn’t sound like a tough guy who gets every girl on “Drink”. Instead, the messy world of sex is just as fucked up and hopeless as selling drugs in the streets.
This emotion layer is why Mobb Deep have been praised for being ‘real’, despite their background. Selling drugs and running from the police doesn’t seem very fun. The fear and paranoia in The Infamous makes it more real than any other rapper that’s confused over whether he shoots more niggaz or fucks more bitches.
The problem is, this extra emotional layer is the only thing the album has.
Mobb Deep don’t explore the street life from various angles like the Notorious B.I.G.. They only rap about the scary side of it. All they do is add an extra dimension, and not much beyonf that. Most of the songs are interchangeable. “Right Back at You”, “Party Over”, “Eye for an Eye” and “Shook Ones” are all variations on the same idea. They’re all really good, but they all do the same thing.
The problem is that Prodigy and Havoc aren’t very capable rappers. They’re competent, but they add nothing special to their raps. They’re both cursed with fairly generic voices and have few catchy lines. When Nas and Raekwon pop up, it’s a blessing just because there’s someone else rapping. The production is also one-note. It’s brilliant – every beat here hits hard, but they still all revolve around the same idea.
Only two songs manage to rise above. I already talked about “Drink Away the Pain”. The other great song is “Temperature’s Rising”, which has some coherent storytelling that make for the best lyrics in the album. It’s impossible to choose the third best song. “Shook Ones, Pt. II” is pretty good, but is it better than the hard drums of “Right Back at You” or the piano in “The Start of Your Ending”? It’s hard to choose a standout when all the songs sound the same.
It’s a good album, but it’s successful at just one idea. Don’t expect the variety of Ready to Die. The Infamous is just a single song looped for an hour. It’s a good song that I can listen to for more than ten minutes, but it begs for a standout. It’s better than most of the canonical rap albums I heard, but it beg for a “Life’s a Bitch” or a “We Can Get Down”.
3 shook ones out of 5