Mirai Nikki’s mission statement is one of its more obscure characters. Yomotsu barely has 20 minutes of screen time. He seems at first like an out-of-place oddball with his posturing as a Hero of Justice. This posturing is crucial. He says that the way to know who’s just ad who’s evil is according to who wins.
It’s a blunt way of saying it, but it’s true of many stories. Our hero defeats the villain with brute force, and we know he’s right because he didn’t deliver a speech about World Domination. In Death Game scenarios, it’s even worse. In Hunger Games, Katniss never has to come to terms with killing innocent people.
The Death Game scenarios are scary because they force people to fight who’d otherwise won’t. Katniss never has to face her fellow players’ humanity. She just happened to face the cruel ones. No such shortcuts are taken in Mirai Nikki.
Everyone is funny in their head, but no one is outright evil. Some are more crueler than others, but that cruelty is explained. We’re invited to understand these characters. Even when the cruelest of them die, there is tragic vibe to it. Things could have been different for them. Reisuke and Tsubaki are characters who made wrong decisions based on their circumstances.
Blind and batshit crazy
Even John Bacchus, the character who could most easily become a caricature isn’t. He has grand plans for humanity, but not cheap World Domination. We see his plan’s failure in action, rather than have a boring speech about megalomaniac aspirations.
This approach to the Death Game brilliant. Not only it gets why the scenario is interesting in the first place, but it makes it more thrilling. Some have criticized the show for having a cast of stupid and psychotic characters, but that’s the point.
The best thrillers aren’t just a bunch of intelligent people playing mind games. Playing games is more fun than watching others do it, anyway. The best thrillers are those that are concerned with the emotional consequences of the scenario. They create thrilling set-pieces. They use atmosphere, symbolism and visual style instead of constant feedback.
Mirai Nikki is closer to thrillers like Pi and The Machinist, rather than the constant build-up of Death Note. It has a cast of weirdos who are thrown into a scenario with other weirdos and try to navigate it. The thrill comeד not from wondering What Will Happen Next, because it’s interesting to see these personalities clash.
Best twintails in the history of anime
There are not highly-skilled badasses. Since they’re all emotional wrecks, that makes them unpredictible. We can expect an intelligent person to come up with a solution, but we’ll never know when a regular person will act on his rationality or on an emotional impulse. Whereas many thrillers just give the characters random skills, Mirai Nikki literally gives skills to the characters based on who they are. A loner is given a diary which records all his future observations. A couple is given diaries which predict their lovers’ future. An owner of an orphan home is given the ability to produce diary owners, like giving births.
If this starts to sound meta, then it only gets worse. Aren’t Yukki and Mur Mur a paralell to the us, the viewers? Yukki was, until the game starts an observer who wrote what he saw but didn’t participate in things. That’s how consuming media often works, especially when you write reviews like these. Mur Mur’s motivations seem like she might be evil for evil’s sake, but her desire for amusement is familiar. Don’t we watch these Death Games stories to be amused, too?
Getting weird with my weird friends
While the Death Game scenario is the main theme the series questions for a while, there are a bunch of other ideas scattered around. Romance is being satirized with Yuno. Her character is more clever than people give her credit for. She’s a response to people’s desire for someone to love them deeply. Yuno’s love is serious, but it’s also selfish. She’s concerned more with protecting Yukki than what Yukki wants, although she matures a bit as it goes on.
There’s also some things about the nature of God. If Deus’ death seems like a giant plot hole to you, then you’re unfamiliar with mythology. Gods die and humans replace them all the time, and Gods are often limited in their power. We also get a Badass Switch, which addresses the topic at hand. Yukki doesn’t simply become a gun-packing OG. He’s suppressing his sensitive self, but still acts on his desire to help others. We even got a Metaphysical Rebellion thing going on. The owners are all given the ability to change the future, yet do they really change it? Yomotasu appears again. He’s being told he will die, so he just kills himself.
Some of them try to rebel, to do something other than become Gods. Mostly, they all go along with the circumstances they’ve been given. That’s the reason why many of them became crazy in the same place. It’s not an accidental detail. The whole Final Battle is one big metaphysical rebellion. It sees the characters trying to create an alternative future.
Where do you think cruelty comes from?
All of this sounds very clever on paper, but the execution is closer to the violent use of that word.
The problem with Mirai Nikki is that it’s too original and has too much to say. It’s full of ideas and it wants to deal with them on its own rules. We get a few pretty women, all of which spend more time being characters rather than let us stare. There’s an extended sequence where Yuno is in underwear but it never slows down to give us good-looking shots. There are shifts in tone that feel appropriate. Such an overblown story can’t work without some humor. The progress of the story is more thematic than realistic. Things exist and happen because they fit the tone and meaning. Questions like ‘how did Rei get the poison?’ are left unanswered because they’ll most likely not add much.
The problem with creating your own rules is that you’re a first-timer in the game. Digimon Tamers might be brilliant, but it’s the result of past failures. The story is archetypical. The creators looked back on similar stories, saw where the holes were and filled them.
Mirai Nikki has no such tradition to draw from. It borrows freely from School, Death Game, Psychological Thriller, Action and Fantasy. It’s both excited by what it has, and unsure of itself. That’s why the pace is too fast, but the series never runs out of stream even when it’s off the rails.
Everyone suffers eye damage, for some reason
Normally I’d complain about a few unnecessary episodes, but this one needed more. The characters all have quirks that point to a personality, but that’s all they do. Their defining features are too often external – a tragic event in their past, an ill son. We don’t get enough of moments that show us how these things affect them.
They are affecting them enough to feel different. Both Rei and Tsubaki have their tragic pasts, but one is full of hatred and the other is just cruel. That’s a pretty significant distinction. It’s not explored, though. These characters die too quickly.
What made the Cult of the Sixth so exciting is because it threw all these weirdos together. Instead of having boring one-on-one match, we have different people doing their things according to how they see fit. You can’t do it for 26 episodes if everyone is constantly dying. They kept some of them alive for a long while, so why not all the rest?
There is also an added mechanic which might feel like an asspull. It actually fits the theme of the series and is necessary for the metaphysical rebellion thing. The problem is, by the time it appears our story shifted focus. We’re no longer following a cast of weirdos and their plight, but see the metaphysical rebellion itself.
It’s interesting enough, but it calls for a different series. A story ends when its ideas conclude, not when stuff stops happening. In this case the survival game ended, therefore the first story is over. Shifting a focus just causes unnecessary confusion. If they dedicate 26 episodes to their ensemble and expanded the final battle to a short second season, it’d be better.
At least the the series never runs out of steam. From the beginning the show feels like it will go off the rails, and it does. The train keeps going forward though. The track might be lost, but you won’t reach your destination by standing still. Even when it loses itself it refuses to play by anyone’s rules but its own.
There’s something admirable how it keeps going forward. Better anime than it fall to convenience when things get too hard, but Mirai Nikki just speeds forward. If we compare anime to Icarus, then Sword Art Online gives up on the sun and drowns. Mirai Nikki forgets about the sun and tries to fly to outer space, but burns in the atmosphere.
Credit must be given to the visual style. Mirai Nikki features some of the best character design in anime. No one is spared. Many anime have talented designers, but only the women get this treatment. Just look at Date A Live, which has brilliant designs like those of Yoshino and Tokisaki, but Shido might as well be a stick-man.
Here, we have an attention to detail. Yukki isn’t just another black-haired hero but given an actual style, even if it’s less flamboyant than others. Everyone has their own facial expressions, their own hairstyles and their own outfits. It speaks volumes about the series when it creates pretty women but doesn’t linger on their bodies, and finds room for a deformed one too. There’s something beautiful in the picture of the ending theme. We see all the owners’ shilouttes standing, each with his own unique shape.
This isn’t Freddy Fazbear’s!
This makes everything feel so alive. It may look unrealistic. Marco’s hair definitely can’t stand like this, but that’s not the point. Animation is expressing ideas using visuals. Human beings are often weird. I lived with many of them, and few turned out to be normal. Their personalities are closer to Mirai Nikki‘s flamboyant design rather than Mushishi‘s, where everyone looked the same. Now what is more realistic?
Mirai Nikki is full of flaws and little holes. There are average anime with less obvious problems. There are also not many with so much life and energy, that play by their own rules rather than someone else’s. There is a masterpiece here somewhere, but the pacing is too rushed and there are too many ideas than it can carry. It’s never boring, it’s rarely convenient and it’s always unhinged and bizarre. In this case, I’m willing to forgive the flaws.
The biggest plot hole that nobody talks about is Uryuu Minene never wearing her twintails again. These are the best twintails in the history of anime. Why not use them?
4 blind eyes out of 5