Schrodinger’s Rapist or: Stranger Danger 2: Electric Boogalo

There are all kinds of problems with Schrodinger’s Rapist. It’s fairly logical, but it only states obvious things that don’t further our understanding. It’s a nice-sounding buzzword, too. As far as trying to reveal greater truths about the existence of rape culture, it’s a failure. In order to reveal rape culture, you’ll have to reveal something. This is just Stranger Danger with a feminist paintjob.

I’m going to tackle it from various points.

First of all, the language switch. This is the quote from Rebecca Watson with the sexes switched:

When you approach me in public, you are Schrödinger’s Rapist. You may or may not be a woman who would commit rape. I won’t know for sure unless you start sexually assaulting me. I can’t see inside your head, and I don’t know your intentions. If you expect me to trust you—to accept you at face value as a nice sort of girl—you are not only failing to respect my reasonable caution, you are being cavalier about my personal safety.

Dear women, you are Schrodinger’s False Rape Accuser, or Rapist, or Heartbreaker, or Run-Away-With-Child-er, or Mugger. I’m afraid, too.

What if made this a race issue? Schrodinger’s Black Mugger. Assuming black people commit more crimes (for whatever reason – class or genes or rap cred or because of biased reporting), wouldn’t it be reasonable to think a black person is Schrodinger’s Mugger until he proves otherwise?

Schrodinger’s Rapist is true, but its logic also encourages distrust of women. Even if you confine it to rape, males still get raped. Even if it happens less often, it does. Men being in power doesn’t matter. It’s not going to make the experience of a raped male any better.

Schrodinger’s Rapist is also an extension of Stranger Danger. Stranger Danger is an idea that should’ve been discarded long ago. People remember it when they want to ‘keep their children safe’ (=locked in the house with only a math textbook) and forget about it when complaining about how antisocial everyone is.

Stranger Danger is promotion of asocial behavior. Don’t talk to strangers. Don’t respond when they talk to you. They’re all out to get you. What people forget is that everyone is a stranger until you get to know them, including the parents. The baby simply didn’t have any control.

Strangers might hurt you. Asocial behavior is certain to hurt you. Isolation is a common factor when it comes to depression and depression is a common factor when it comes to suicide. Stranger Danger didn’t contribute anything.

Stranger Danger (Schrodinger’s Rapist) also fail because it’s not only strangers who hurt us. These strangers have probably been brainwashed with being asocial, too. It’s often people we are close to who hurt us the most. Rape occurs more often by familiar people rather than strangers.

That makes perfect sense. If you want to rape, it’s easier and safer to do it with someone you know, who trusts you. They will be less resistant at first. You already know how to interact with them and how to coerce them to having sex. You can guilt trip them later. If you’re the dominating person in a social group, they will less likely to accuse you.

The idea can cause more harm than good. It will make women fearful of strangers, but it can make them more lax with familiar people who are most likely to rape them. Where does the circle end though?

It also misses the point. By telling people not to act like rapists, you’re actually telling rapists how better to conceal themselves. A person with little regard to consent doesn’t need to be told how ‘not to act like a rapist’ but why rape is so wrong.

Acting like a rapist and raping are two different things. A person can have an aggressive, loud behavior. He can even care little for personal space and accidentally touch you, but it doesn’t mean he’s a rapist. It means he’s loud, obnoxious and doesn’t care much for personal space. It doesn’t mean he’s inconsiderate (or sadistic) enough so he will harass you.

The only surefire way to tell if someone is a rapist or a sexual harasser is when they actually do it. We should not teach people how not to act like a rapist. We don’t people not-acting like rapists, but we want them to not rape at all.

I also saw a claim that talking to people who are currently in the middle of something – reading a book, on the laptop, browsing Facebook on their phone is rude. I fail to see rudeness in initiating social interaction. It’s rude to keep pushing if a person tells you s/he’s busy, but it’s possible that this person is browsing Facebook because there’s nothing to do on the train.

You will get hurt less by telling a person who approached you to leave you alone then by not being approached to at all. Loneliness is more damaging than we think. The fact some people won’t leave you alone is rude, but is a different story.

(Here’s some Hypocrisy With Natalists moment: You think it’s rude when guys approach you while you’re reading a book, but think it’s fine to force people into existence? That kid you just forced into existence and wants to die suffers way, way more than you.)

If Schrodinger’s Rapist is supposed to make us understand better the fear women have of rape, it fails. It’s Stranger Danger in disguise. It’s actually worse than Stranger Danger. Its main message is that you can’t trust anyone. In some ways it’s true. Anyone can hurt you. The key word is ‘can’. It’s possible they will and it’s possible it won’t. There is one thing that’s guaranteed – loneliness, isolation and fear of communication will hurt you no matter what.

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Vacation (2015)

vacation-2015-poster

The film opens with a series of photos from a family vacation. Something wrong goes in most of them, something that is supposed to be funny. ‘Going wrong’ here means things like a horse urinating, or a child seeing animals having sex.

I don’t go to movies to look at hot women. If I wanted hot women, there’s plenty of places to see them without distractions. In fact, whenever a film tries to dazzle me with how beautiful the actress is, I get the urge to message a philosophical question to a friend so he’ll entertain me. When I find myself enjoying the presence of a hot woman in a film, it’s clear it has nothing else to offer.

Vacation also has Chris Hemsworth showing off his muscles and lack of fat. I appreciate this stab at equality, but I’m not sure it’s worth sitting through an hour and a half of terrible jokes for. Couldn’t they just shot a short video of him flexing and put it on his Facebook page?

There’s an attempt here to make a dark comedy, only it’s not really dark. Like a lot of shitty comedians who use ‘shocking’ content, they’re afraid of going all the way. They gross you out, but it’s just unpleasant.

There are two ways to go about it. You can either go complete light and pretend it’s not dark. That’s hard to pull off, but it worked brilliantly in Borderlands. You can also confront the darkness. Use the jokes not as a way to cheapen the darkness but to magnify it. Make it both dark and funny. That’s why Catch-22 and the anime series WataMote are funny.

The creators put the characters through a lot of hardships, but none of it is meaningful or interesting. They bath in raw sewage, which goes on for 3 minutes. Someone actually thought that extending that scene to 3 minutes was a good idea. It was kind of funny at first when they didn’t realize it, but the scene goes on and on. We see them rubbing shit over themselves for a few minutes, which feel like they’ll never end. How does that extra length contribute to anything? Even splatter films don’t linger so much on the ugly details.

Some people die in this film, which is supposed to be funny. I’m not sure where the joke is in the scene with the suicidal guide tour. He kills himself after his fiance breaks up with him which is pretty sad, but where’s the joke? Wikipedia has a list of unusual death which is both hilarious and terrifying. What’s funny is not that these people died, but that their circumstances are so absurd.

No situation here even tries to be absurd. Things just go wrong. They want to go to hot springs, and they end up in raw sewage. Debbie tries to prove she’s wild at heart but she vomits pitcher of beer she just downed. The older brother finds a pretty girl and along comes the dad to make things awkward.

What defines absurdity is that it’s unpredictible. How funny can you be when every joke is so obvious? It would be easier to stomach if it wasn’t so cruel, though. When your jokes are cruel but lack wit, you just come off as a sadistic bully. Vacation is no different from the Saw films in that aspect. You see characters having a hard time and trying desperately to get out of it.

There’s no joy in here, no pain. They can’t even rely on joyful/depressing contrast to make jokes. The creators are so cruel they don’t allow the characters even a small victory. At least the Saw film have a unique visual style and a killer soundtrack. Vacation can’t justify all the pain it inflicts on its characters.

Ed Helms tries hard to make something good out of the material. Maybe that’s the joke. Maybe I was supposed to laugh at him trying to be funny with such weak material, but at this point I’m sad. The guy stayed for three Hangover films. Can the Coen Brothers take him to one of their movies now? There’s an almost effective scene where his characters break down. Helms tries to inject a little darkness to that scene. Seeing a character breaking down would’ve been truly shocking, but you can hear one of the executives telling him to stop. We’re here to gross out the audience, the executive says. Then Helms walks away like he should’ve done long ago and the car blows up. That’s a clever metaphore for his career.

There’s no reason for this film to exist. The kid behind me laughed a lot, but I also used to find shit and sex funny when I was younger. Now, I found life to be much more crazier and weirder than just these two subjects. Sex and shit can be funny. I have a personal anecdote involving shit, but it’s not just the shit that itself is funny. Mainstream comedy is just as terrible as it always was.

I can’t believe my friends chose this over Inside Out.

1.5 suicidal guide tours out of 5