Kaiba

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Great works of art are not easy to review. They are not common like the cesspool of bad art. Bad art is easy to deconstruct, to show how pathetically horrible they are. “So bad it’s good” exists because these works are so bizarre, so extraordinary that they become unique. Bad art is never unique its badness. In contrast, great works of art always end up redefining what ‘good’ is, so any review of a masterpiece will never be analytical and conclusive. It always end up chasing something that we can only grasp a piece of, like a poet looking at a beautiful line he wrote and knowing he can never write a worthy poem of it.

Kaiba is one of those artworks. I say it deliberately. Judgment of it is not confined to anime. It transcends media, reaches something so deeply human and awe-inspiring that it becomes a part of you. Do not expect a rational explanation of why this anime is better than pretty much anything. If we understood completely why it’s so good, we’d have masterpiece dropping from the skies. I can try, though.

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The key to understanding Kaiba is understanding how it tells a story, specifically how it takes advantage of the personal nature of fiction. All art, including fiction, is personal. It is a product of human thought, a translation of your entire Being – your experiences, philosophy, unconscious, passions – into some kind of experience that another being can take on. Kaiba is a ridiculously expressive work. Every scene is imbued with emotion. Every object says something about what it represents. It’s so emotionally draining because of that.

Memory is the big topic, but Kaiba isn’t just about memory. In a cliched way, it’s existentialist, asking what we are. Its answer is memories, but memories are also information. The anime explores this intersection of information that defines us. Notice the symbols. When memory isn’t converted to information, it is organic and free – it is lifelike memory eggs. These are also tiny, fragile and fleeting. The memories float away and are easily lost.

The roe is us, so they use to show how tiny we are when death strikes. When a character dies, their bodies become liquid and vanish completely. The ‘self’ becomes just a bunch of yellow pieces floating way. It expresses the loss of death, how death completely erase us and we become nothing. The memory chip – a drill-like thing – can also die so easily, if it’s lost it’s gone forever. Sure, we can try to capture those roe or to protect the chip, but it’s so difficult. It’s an expression of how fragile we are.

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Yet converting ourselves into information makes us so much easier to control, and easier for us to control others. Altering other people’s memories is a sci-fi trope, but this anime is concerned with how it affects everyone, how it affects our personal lives. We see the small results of this – how erasing someone’s childhood erases who they are and they end up becoming nothing but a memory. How this power to change personal reality blurs into thinking we can change reality itself – a direct link to megalomania and tyranny.

Our memories are our personality. Once we control them, edit them, change them all lines break down. The world of Kaiba looks funny by design, but that’s because how the people experience it. People can also put their memories into a whole new body. In one episode this results in a world where bodies are manufactured like clothes. Its reality is grotesque, a mass of weird shapes that’s disorientating. Somehow we ended up creating a more chaotic reality than nature.

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Leaning towards a socioeconomic critique of society, the anime shows a world in which memories – selves – become products. So a character sells her own body with hopes that her memory will be kept. Selves are no longer precious. This society isn’t painted with strokes of black to show you how evil rich people are. Rather, to illustrate the chaos of it, we see selling your own body and putting yourself in a chip is no guarantee. You’re relinquishing control of yourself, your grip on the world.

Yet this ‘information’ is never just ‘information’. Consciousness was the result of accumalating all these pieces of data and connecting them. So we’re never really dead, and using memories this way is using people as objects. The anime is deeply concerned with living things. In a gallery of memories, the people who own these memories cry out to be released.

Everyone’s concerns are always personal. Although the characters are simple, they have motivation and a humanity. A sheriff who really wants a girl at first seems like a greedy bastard, but he’s a person. That’s his wants, and when we see this want doesn’t make him just an asshole but a good person we’re encouraged to sympathize with him. In the end, he’s a ‘human’ being – with people he loves, things he wants, and dreams lost when death comes.

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Although there are antagonists, the series always reminds us that they’re people in the most simple way. People want power, but not because they’re evil. They want it because they’re human beings, so we see the ringleader of the resistance crumbling to tears when he realizes what he’s done. He had to erase memories that painted him in a bad light, but the result was losing a friend.

This anime is in the end about treasuring people. The idea of memory is just a tool to show us how we can lose people, no matter how hard we work to keep them. We put their identity, their whole being in a chip but then that chip is lost. We sell a loved one’s body, hoping the salesman will keep the information in a chip. A friend blocks our ambition, so we erase some memories only to realize the whole person is gone. Eventually this anime reaches an important conclusion about being – we need each other, we’re social animals, power doens’t make up for it.

The castle of Warp is a lonely place. The only person he has is an all-seeing robot. He’s not happy and the only thing he can talk about are who to execute. He may be the king of memories, but these are his own memories. What good are they? In a beautiful scene Popo and the resistance at the palace, and it has a huge opening to a black void. That’s the height of power to you, a lonely high place looking out into nothing. The only thing that’s there are themselves, yet they’re craving control.

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The romance between Neiro and Kaiba isn’t a symbol for romance, but what’s really important – connection. Even during oppression, they found something of their own, a precious shared memory that’s enough. Separate yourself from the struggle for power. The privileges of the rich to put themselves in memory chips and live forever aren’t that worthwhile in the end. Every world touched by this is grotesque, people are lost yet they are still people.

You cannot talk about the art without mentioning the Neverhood, which seems like a direct inspiration for the anime. Both endings and beginning borrow from it. It opens with a man seeing an unknown, bizarre world. The ending includes a darker version of the hero and a gigantic, self-sacrificing robot. Like the Neverhood, the design is cartoonish, nonsensical and imbued with meaning and emotions. Look at the planet where the only thing that matters is the story of two old people. The planet itself is nothing but their tower. The underworld is almost colorless – but almost, since it still has some life in it. The club is colorful and weird but has a dominating shade of purple – a disorientating effect. Vanilla looks like what we expect from an asshole with the fat belly and aggressive face (Only his character later proves to be more). There is even a creature who flies by a propeller and doesn’t speak – like the sidekick from old video games. It’s as unrealistic as you get, but no scene is without emotional overtones just like life – and that makes it far closer to reality than anything else.

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Likewise the soundtrack couldn’t be better, a collection of gentle electronic sounds. It fits with the slightly childish designs, but it has the same fragility of the world. A lot of it sounds like Boards of Canada, only it takes it to less nostalgic tones. The soundtrack mostly expresses a reflective, introspective atmosphere, one of both awe and terror. Some tracks are colder and harsher that reminds us that this world is still harsh, a world where selves can be sold. Some tracks have beautiful, intimate melodies to go along with the theme of connection.

There is no other anime like Kaiba, an anime so expressive, where every shot is charged with emotion, wonder, terror and humanity. ‘Depth’ isn’t the right word. It’s not an intellectual, symbolic exercise like Paranoia Agent or a psychological exploration like Digimon Tamers yet it’s somehow better than these two. Perhaps because it takes anime to the origin of art – the expression, not explanation, of human experience. Nothing I could write would do this anime justice.

Toradora

toradoraNote: this series has been dropped at episode 14

Unlike the main protagonist of this anime, I do not have much strength to withstand torture. Put me in the clutches of a diabolical serial killer/torturer, and I have no idea what I’d do. Ryuji, our hero, is one of a kind. Bards should sing about him in taverns all across Tamriel. For 14 episodes, he stands Taiga’s relentless abuse with a smile.

In one of the greatest songs ever written, the extremely white lead singer of the Smiths sings about how it’s so easy to laugh and so easy to hate. Kindness and gentleness are difficult, and I do agree with him. That said, I wonder if the band and their fanbase would change their mind if they saw the anime. Actually, considering how huge this anime is, becoming iconic in the school genre – I think they won’t.

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I’m a defender of the school genre. Many rant about how immature and derivative it is, but few people didn’t go to school. A lot of things happen in school and you meet a lot of people, so it’s a place rife for stories. Its low-key and stable environment actually makes it excellent for stories driven by characters. Conflicts will have to rise from within and not an external UFO coming to wreck the party. These shows rely heavily on their characters, and it’s enough to have a decent, odd cast – see Haganai – to make something decent. Toradora is a major failure because of how insufferable its cast is.

Since we’re talking about symbols and not actual human beings, I need to find a way to explain why and how disgusted I was with them and how that lead me to conclude this anime is horrid crap. Many a great story are about horrible people. In fact, one of the best novels ever is about such a terrible murder. It’s their darkness, their psychology and reasons for being so that makes them so intriguing. How frightening these characters are because we understand them and see us in them. Part of our obsession with villains and their backstories, or with serial killers’ childhoods is because we want to know why they’re like this.

Everyone in Toradora is a bit of an asshole. Actually, only two characters are but they’re so dominant that it’s easy to forget about the rest. Taiga is the big problem, since she’s both the main character and the worst. Tsunderes can often seem creepy, sometimes borderline Gacy-like sadistic. None of them are as bad as Taiga.

The archetype can be funny. Tsunderes’ appeal is their insecurity, how they address the Presentation of Self in Everyday Life – we put up a front in every social interaction, putting a different front in different places. The best Tsundere, Neptunia‘s Noire is all about this. Humor never comes from her being violent – she’s rarely is – but how hard she works on her image.

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In contrast, Taiga is nothing but violence. She reacts to everything with violence, like a 10-year-old playing Elder Scrolls and thinking that it’s supercool to kill every NPC. She may not kill anyone, let alone essential NPC’s but it doesn’t make it any less creepy. In every episode, she beats up people at least 5 times. Her reactions are always with force, causing clear pain to the other characters. I’d expect anyone to beat her in return the first time.

The fact Ryuji stays there is flat-out creepy. Moreover, she treats him with pure condescension. Rarely, if ever, she addresses him in a way that’s not hostile. Early in the series they make a pact to help each other, but Taiga doesn’t actually help him until the middle of the series. All the episodes are about the characters doing stuff and Taiga beating people up. The anime never answers why, exactly, Ryuji puts up with so much physical abuse.

Yes, ‘abuse’ is the only word that can describes their relationship. Switch the sexes. Imagine if Ryuji was constantly beating up Taiga, calling her ‘bitch’ and so forth. It’s nothing but sick. You can only watch it for so long before getting tired of this torture porn thing. Not only Taiga is violent to everyone, she also has a weird entitlement problem. She expects Ryuji to take care of her and do everything for her. She never asks, demands with the expectations that Ryuji must do it for her.

In the end, she’s nothing but a horrible person who beats up everyone but also thinks everyone owes her everything. Now, a character being a terrible human being isn’t enough. How their actions are framed is important and now we get to the main problem. Taiga is framed as okay.

A backstory occasionally rears its head, feelings of insecurity do show themselves. None of is it actually dark, none of it gives us a glimpse into a troubled psych that can only react with violence and cannot connect to people. The backstory may justify anger, but the anime never acknowledge how bad Taiga’s case is. No one around her also reacts like they should. They treat her like she’s a quirky friend, someone who occasionally goes off, like that friend who swears a lot. This is a person who’s in desperate need of help and a lawyer. It’s no longer a person having anger issues but a criminal that everyone tolerates because the plot demands it.

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Such light framing of dark material is unforgivable. Humor doesn’t have anything to do with it, but how the frame never addresses the darkness of it. Physical abuse leaves people with trauma. People react harshly to physical abuse. If people stay for a long time with a physical person, being nice to them and doing what they want it means they got issues of their own. I can’t stress how dark this material is, yet the light framing is disrespectful to anyone who went through physical abuse.

Taiga and the framing of her behavior towers over the anime, so everything else ends up pointless. No matter how hard they try, the creators frame Taiga as quirky and cute. Nothing can salvage the anime, but then again it doesn’t seem they try. There isn’t much in the way of stories or characters. Ryuji is like that dude from Haganai only not as hot. Somehow he manages to be perfect and eventually the center of the harem because he’s nice to everyone and doesn’t have wants of his own. To the anime’s credit, the secondary male actually has a purpose here and he’s a bit hot, but besides being a more energetic nice guy there’s nothing to him.

Other females consist of a wacky redhead who’s entertaining for five episodes and then becomes tiresome. As for Ami, she’s another generic asshole who’s overall unpleasant without the darkness. Like Taiga, she treats people like crap but the cruelty is never meant to shock or make us reflect. Funniest thing is how the anime passes her off as sexy. Not only the characters can’t drive a story, but they look bad.

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Art style is another problem the anime suffers from. No one has a distinctive look. School anime, at worst, create pleasing to look at characters. You may not experience anything profound but there is aesthetic value in the designs, in understanding human beauty. Designs don’t have to break boundaries, but little touches like Sena’s butterfly and deep eye color make an anime more pleasing to look at.

Toradora does nothing like this. Taiga does have a weird hairstyle, but Minori isn’t memorable at all. She has huge eyes and short red hair. End description. Worse offender is Ami who is meant to be the sex symbol. To express this, they gave her a longer hair and slightly bigger breasts. Unlike shows where the characters are actually sexy, her figure isn’t defined or emphasized – which is necessary if the character’s beauty is important to her personality. Her hair is just long without hairstyle quirks. Look at any anime that has a character whose beauty is important and you can always spot details expressing it – just as I described Sena in the above paragraph. The designers decided to do the bare minimum.

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Character designs are integral to how we view them. How people look is a part of them. It doesn’t mean characters should all be sexy (that’s actually quite odd) but their looks should somehow find their way to their personality. If your character is meant to be beautiful, make them beautiful. Toradora is satisfied with just sending the signals, mistaking low effort for minimalism. Minimalism is when you have few details but these details are important. Ami’s design and everyone else’s has no effort put into it. A simplicity that has no elegance, that emphasizes no details is just a product of no effort and laziness.

Maybe the anime drastically improves. I have a hard time believing it. Watching this anime became painful. Witnessing the abuse Taiga inflicts on everyone, and expecting to be entertained and amused by it is too much. Torture porn at least acknowledges its characters suffer even if it expects me to find entertainment in pain. This anime pretends physical abuse doesn’t cause any pain. Truly, it’s objectionable almost on a moral standard.

1 abusive partners out of 5

Another

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What we have here isn’t so much an anime, but an experiment. At least I hope it’s an experiment, because as an anime it’s quite an atrocity. It deserves a place in the bottom of the barrel, not because it’s awful in a unique way. There’s no content, nothing particularly offensive that stick out. It’s just a series of mistakes piling up on one another.

If this is an experiment, it’s an interesting and important one. In fact, as an experiment it deserves the attention of all literary scholars. Finally, a piece of fiction tries to answer the age-old question of what is more important – execution or the idea. Since the end result is closer to vomit caused by excessive drinking (which itself was a means of coping with an awful party), the answer is execution.

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“Execution” is an ironic word to use in the context of this crappy anime, both because a lot of characters die and the anime ends up killing its brilliant premise. Most creators don’t have any idea what ‘horror’ actually means. They think we experience horror when someone holds a knife against us and we need to fight them, but that’s not it. A dangerous situation where there are a few predictable outcomes, some of them bad is thrilling and causes adrenaline but it’s not scary.

People are afraid of walking alone in the streets and of being on the stage, yet no one is going to kill you if you deliver a speech (Unless you’re a politician). The common ground between two is the unknown, and more importantly a fairly hostile unknown. Horror is effective when we know or speculate there is something hostile there and don’t know its nature. The best of horror is striking a balance – having a good enough idea what kind of danger there is, but not enough.

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Horror fiction often features weak protagonists. In order to effective, the protagonists need to know little so they won’t really have a way to defeat the Big Bad. Stories are the scariest not at the climax – it means very little in this genre. Experiencing the unknown is what’s important. A shot of Michael Myers standing outside the house is scary, because we don’t really know what Myers is except the fact he kills people for some reason. More than any other genre, Horror isn’t about a tight structure but strong, atmospheric moments emphasizing how the characters view the world.

The creators commit the horrible mistake of thinking that what works in video games also works in fiction. So the main character isn’t actually a human, but a distinct organism only found in shitty stories called Plotus Moverus. Exploring a mystery on my own is one thing. Merely watching someone else do it is something else. Shows on TV that show you how to cook things have more narrative thrust, more personality. People actually remember all those dudes in TV who talk about food, yet I’ll only remember Kouchi because he starred in this horrible anime.

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Kouchi gives a point of view with less personality than a Wikipedia article, so already we lack any kind of framing for this town. Look at this as a self-insert character, and you get zilch. If Kouchi had a psychology or a personality that would react to the horror, then I could insert myself into him and feel like I’m experiencing the same thing. I could use this story not only to explore the nature of horror but how we can react to horrifying things. Kouchi only gathers data.

The scenary is now responsible to frame this story as scary, and at the beginning it’s actually quite good. People criticized it because ‘nothing happened’, but they just misunderstand the genre. Things don’t have to happen and it may be for the best if they won’t. What should go on is atmosphere. The art and especially the background is fantastic. The colors are varied, yet there’s a slight dark tone to everything – not enough to make it monochrome, but enough to hint there’s something bad going on underneath. This balance is difficult to attain but the series does it. Every scene in the beginning is imbued with uneasiness, empty streets of a small, isolated town and a dark shade over thing because disaster can strike at any moment.

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An episode which takes place at the beach is a perfect example of how well the atmosphere works. There is silence and uneasiness all over it. Every interaction is a bit more hushed. A game of fishing ends with people capturing nothing interesting but kelp and a blowfish. Romance is right around the corner, but everyone is too preocupied with the horror to go with it

Here you get why the premise is so brilliant. By its very nature it’s horror, it’s a premise where people know disaster strikes but not really its nature or how to stop it or how exactly it will affect. Reduce the genre to its bare bones and you get that. Now all you need to do is let the characters do their thing. Let them react to the situation with their personalities. Let it affect their relationship, the structure of the town. Show us the effect of death and the unknown on us, tickle our sense of empathy.

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Mentioning the Saw film at this point, because they’re an example of how this anime failed. The first Saw film featured two dudes locked in a rusty bathroom which is quite frightening, but that’s also because of the mystery – what the hell is that bathroom? The anime does contain a mystery, but instead of letting it be one they solve it in – get this! – one episode. No, really, there is no build-up or any psychological thrust to the discovery. One day a character info-dumps the whole equation. Now the characters only need to find the X, literally.

Remove the mystery and the psychology and all you have left is a dull process of elimination. The side-characters are slightly better than Kouchi but even they don’t do much. The last episodes consist of fire and brimstone and that hardly makes for an effective climax. As an action scene it might serve, but its main role is to revel and swim in the blood of the characters.

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What it reveals is what I tried to suppress all along – that the mystery isn’t actually a symbol for our fear of death, but a plot tool to kill characters. Instead of experiencing this anguish and angt, understand the meaning of fear and trembling and reflect upon the nature of death you enter a guessing game. Every episode is a game of ‘who dies next?’ until it ends with a massacre that might’ve been effective with a different build-up. Too bad it’s just has everyone smiling psychotically while chanting the same sentence.

In the beginning of the anime Stephen King is dropped, a popular writer with great ideas and horrible execution. Even he wasn’t that bad, but the series is loyal to his style. It took an idea so good you can use it to explain the nature of the genre and turned it into a who’s-gonna-die game. The final twist isn’t that surprising either and doesn’t add any meaning, although it could’ve lead to a powerful character moment if Kouchi had something resembling a personality. Write off the popularity of this anime as pure shock value.

1.5 spooky stuff out of 5

Ore Twintails ni Narimasu (Gonna Be the Twintail!)

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I’m glad this exists, but I’m not sure if it’s as good as it should’ve been. I do agree with the main character about twintails. It’s a beautiful hairstyle. Sadly, the anime connected to it is less than stellar. What is this? A celebration of fetishes? A satire of it? Is it making fun, laughing with me or all of the above? Why are last episodes so generic?

You’d think that a genre as overflowing as Harem would lead to tighly-focused anime. You have so many shows to learn from and yet the anime is still a confused mess. If it were just cliched, fine. Haganai was also cliche but at least it had focus. Twintails is too busy being confused over its genre to settle for a direction.

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The obvious point of comparison is Date A Live. That underrated anime, while not amazing, was still a unique harem. It had a weird premise that turned the Action on its head and gave a new context for the Harem aspects.

The premise of Twintails doesn’t actually add anything. Our hero transforms into a girl and the enemies give big speeches about their favorite fetish. Every episode concludes with a lightshow and characters giving their attacks pet names. Thankfully we never get insight into how the battle system actually works – it wouldn’t make the lightshow any less dull.

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Beyond the speeches and the fact our heroes all have twintails, the story is derivative and common. The creators clearly didn’t want just another story, but their attempts at turning the fetishes into plot points fail. Most of the time it’s just creepy fetishism. Borrowing the Hero’s Honor bullshit from JoJo doesn’t make your anime more diverse. It only highlights how confused the creators were. What does macho bullshit have to with twintails and harems?

It all ends with a big fight draped in red and black. The hero is full of doubts, about to lose the fight because they don’t have faith. Then suddenly he has an encounter outside of time. A figure speaks to him in a vision and he regains his love, screams the attack name and defeats the enemy. After that we see everyone going to school like nothing happened, with tsundere beating up the big-breasted girl as always.

Again, what does this has to do with, well, anything?

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The whole structure is a mess, and it can’t be saved. None of the ingridients are worthwhile unless you focus on them. Heroic stories are a common template and fetish stories often sexually harass the audience. The anime at least doesn’t go too far in what in subjects the audience. Anyone looking for juicy screenshots will be disappointed. Still, even a messy plot can survive if the characters are good enough.

Even there the series fails, despite trying hard. Everyone is exaggerated and our main character, for a chance, has a personality. Although it’s not much, being an obsessive over something is definitely progress over typical heroism. In fact, there’s a specific moment where the MC reveals he’s driven more by his selfish obsession than saving the world. For a change, our Harem MC isn’t just a convenient moral compass.

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Too bad everyone around him is an exagerrated archetype. If the creators could imagine funny situations in which these archetypes are effective, fine. How many times can the flat-chested childhood friend beat up the big-breasted new girl? There’s no difference between each time it happens. Twoearle makes something sexual and Aika beats her up.

The line between failures like these and successes like Neptunia are blurry. Both rely on silly archetypes, but Neptunia has wilder situations. Its archetypes are more well-thought out. They don’t govern just the funny situations but every aspect of the character lives. Here the quirks only rear their heads when it’s time to beat up the perverted girl. At some point, it becomes characters abuse. When your Harem comedy resembles Saw in its treatment of characters, something is wrong.

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Even the visual design doesn’t rescue it. Shows like this are an example why sexy character design is a positive thing. Although all the girls are meant to be pretty, nothing about their design is interesting. Twoearle is closest thing to a good visual idea. Although twintails are an awesome hairstyle, the show does nothing with it. Generic big eyes are all you have left. The battle suits are also typical pieces of metal stuck on bodies. The enemies are equally just blobs of metal, a macho mess inspired by an animal but no different than a Transformer

The series starts off being some fun and the concept is ridiculous enough. This is another case where a Harem anime doesn’t take advantage of its silly premise. What’s disappointing in these anime is that they’re never as outlandish as they promise. In the end, this isn’t a story about how glorious twintails are. It’s just another anime with heroes in dull outfits who shout attack names and beats blobs of metal.

2 twintails out of 5

High School DXD

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There’s an art to the ecchi genre. Sexual appeal may not require brains to react to, but it requires skill. Not everyone can be a stripper or a sexy dancer even if you have the right body. A good ecchi show would know symbolism and psychology aren’t part of the genre. It would know that it uses sexuality and energy to tell a fun, ridiculous story. High School DXD knows this, but doesn’t work on it.

The characters embodies the strengths and the weaknesses. Rias is worth all the hype and posters they made. You need more than big breasts to make a sexy character. Rias is sexy and not just because of her figure (which isn’t easy to design. See also: Divergence Eve). It’s also little touches like the hair, which is deliberately red. Red is both the color that attracts the most attention. Rias isn’t just meant to be pretty but she symbolizes sexuality.

Her posture, behavior and personality also help express this idea. She’s not a caricature nymphoniac who’ll be a sex slave for our main character. Rather, she’s comfortable in her sexuality. She doesn’t mind being seen naked. She’s in a position of authority that gives her a lot of power but she’s not drunk with it. Power is sexy, but being able to control it is harder and sexier.

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She’s a charismatic, powerful presence that holds the series despite the fact everyone around her is barely half as interesting. What’s weird is that all the failures are females. They’re supposed to be just as attractive as Rias, but they’re dull.

It’s hard to see something in them beyond archetypes. Rias was an embodiment of an idea. Everyone else is a dull archetype. Asia is the complete opposite of Rias, which is something. It’s not used to its advantage. The contrast between the two never appears. We know she’s a nice girl but we only know it. We rarely see it happen. Akeno has no personality whatsoever and Koneco is a quiet loli, which was always a terrible idea and doesn’t improve here.

The designers do have talent. Later in the series a rival group is introduced, and they all have more imaginative designs than the main characters’. It’s almost as if they had two different designers, and the less creative one punished the other. Things in the rivalry team include spiral twintails, X-shaped twintails, a bikini armor and a masked figure. Even at their worst, there’s more spark to their design. Why do the main characters get the generic long hair of Akeno?

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The male characters are actually more entertaining this time. They’re often mindless perverts or boring good guys in such shows. Issei is a combination of both, but it’s one that works. He has these attributes not because it’s convenient to the story but because they can create a personality out of it. Issei becomes both an overblown moral hero who’s just as selfish and horny as the person he goes against.

There’s irony there. It flips the story where two people beat up each other because they disagree and somehow their strength proves their idea right. I wish the irony was more developed though. Issei knows he’d like to be that asshole he’s fighting, the guy with the harem. The anime doesn’t take a step back to laugh at this, at least not enough.

The problem is that it’s not enough to just know you’re making an ecchi series. You still need direction, you need to aim somewhere. What prevents the series from becoming really enjoyable is its lack of direction. Is this about how stupid but kind of cute we are in high school when hormones drive us crazy? Or is this about a hero that’s going to push himself over the edge for a girl because he’s hungry for sex?

If the series would’ve chosen to alternate between the two, it would’ve been fine. Instead, it jumps back and forth between the two. It only gets focused at the end, where it sticks to the epic fight and nothing else. At least it’s victorious there. The fight is well-animated and has a pretty enough scenery to make it exciting. The exaggeration of the characters is also believable enough to make the final conflict feel epic enough.
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The fantasy element is one of the good parts. It’s a cute spin on the Devil/Angel dichotomy that doesn’t pretend to be profound. The idea of devils doing services for people is rife for potential comedy. They play around with it a little and then abandon it. The epic battle was fine, but it was more fun to see Issei trying to do things and being a loser. It’s an opportunity to create odd side-characters who can have their ideas summed up in one episode. There are more seasons and I hope they play around with this more.

Now comes the fatal part, where humiliation is passed off for sexiness. I don’t mind the camera finding its way to changing rooms or how clothes get ripped off during battles in sexy ways. What I don’t understand is, is it necessary to have the characters strip others naked against their will for our enjoyment? It’s not sexy and it’s not humorous.

High School DXD knows what it isn’t, but it also doesn’t know what it is. There is heart here. These people really wanted to make an anime that will capture the fun spirit Ecchi can have, but they didn’t know how. Maybe the next seasons have more focus. I hope so. Rias is too much of a fun character and Issei is a rare Harem protagonist who actually contributes to the story. It’s a fun show, but as crazy as it sounds I think we can do more with Ecchi.

2.5 devils out of 5