Best Songs of 2015 – Part II

Here we go. This is why I’m excited to be alive for a new year. Who knew music can be so good?

14. Jason Derulo – Cheyenne

I couldn’t believe Jason was capable of such a song. He was a technically skilled singer who made boring ballads and silly sex songs. ‘Cheynne’ is a song that’s as catchy as it is powerful. Jason still sounds like a sex icon but a confused one. It’s a song about falling in love after getting used to getting girls easily and the shock of it all. Even if the title girl goes along with him (“You’re secure to make it”) he’s still overwhelmed by the fact that, for once, he ‘can’t stop’, he’s not in complete power. The musical backdrop suits it, too. A thumping dance track that also sounds a little menacing.

13. Hollywood Undead – Take Me Home

What genre is this, anyway? Hollywood Undead were a great, trashy band at first. This dirge-like song doesn’t sound like they imitate the Metalcore bands that influenced them. The song relies on a stomping drumbeat that makes it all sounds like a funeral march. The hedonistic nihilism now doesn’t sound so attractive. Also, although it has an anthemic side it never explodes into pure stadium-ness. It remains subdued, showing sadness that feels more genuine than any of their previous ballads.

12. Bring Me the Horizon – Happy Song

It’s scary how well it sums up the Nu Metal attitude. It’s emotional release through singing loud and cursing. The use of ‘fucking’ suits the song so well. Sykes sounds depressed, singing weakly throughout the verses and only bursting at the chorus. Sykes never sounds positive or like he’s out of his depression, but he sounds like he’s trying when the band slams and he shouts the album title. It’s one of the best songs about depression. It acknowledges the fact you might be able to solve it, but fuck it, let’s try anyway.

11. Hollywood Undead – War Child

The best example of Hollywood Undead’s attempts at blurring genres. It’s a confusing track which way you look at it. It has a bass drop, only a loud guitar dominates it. The verses are Hip-Hop and the chorus is Pop. All this genre-bending means there isn’t an audience for this. It’s too Rock/Dance/Rap depending on your audience, but it’s also proof you can make music that’s both creative and fit for parties.

10. Everclear – You

Social justice is a big thing now and people now acknowledge males also get raped. This isn’t an MRA anthem about how male victims are proof we don’t need feminism. It’s a chilling song. There haven’t been a song like this since Korn’s “Daddy”. The contrast between the driving riffs and Art’s vulnerability gives us the mix of anger and sadness the situation creates. Everclear always great lyrics, but now they reach a new levels.

9. Grimes – Realiti

We have this perception that reality is harsh. ‘Welcome to reality’ is a phrase we tell people to let them know they need to acknowledge terrible things. This sounds so joyous, though. Reality can be beautiful with mountains to climb. Someone once said Grimes sings like an anime girl and there’s cuteness to her vocals that makes this song even more blissful.

8. Fall Out Boy – Immortals

It’s like “Centuries”, only more friendly. It doesn’t make it any less brilliant. The band’s new found aggression made for an album that’s mostly too loud for its own good but the cockiness here is great. You can imagine the band playing this at a festival, and every band that will play after them will be out of spirits. The vocal acrobatics Stump does destroys anything by Sia or Adele. Vocal acrobatics are a sign of strength, not sorrow.

7. Everclear – Complacent

You’d think Everclear would’ve ran out of ways to write about depression and failure. They had something that no one else had. Failure after failure makes you detached eventually. On “Complacent” they throw themselves headfirst into that idea of giving up. You can hear how Art desperately tries to convince himself that he’s ‘not angry anymore’, but when he sings about not wanting to be that guy he’s weak and faithless. He promises he will try, there’s no hope it will work. It’s not even the best song the band made this year.

6. Everclear – The Man Who Broke His Own Heart

They say that no one will love you until you love yourself. This is a heartbreak song from the point of view of a man who has nothing. He can barely lash out at his heartbreaker. He ruined it all by first hurting himself over and over. Bad lovers aren’t just assholes who use you only for sex. The guy who can’t stop hating himself is just as undesirable, even if it’s less politically correct to admit it. This both gives him a voice, but explains why it was reasonable to dump him. What a pessimistic song.

5. Melanie Martinez – Mrs. Potato Head

A lot of pop singers tell us we’re beautiful despite what people say. It’s easy to say it when you’re pretty. Melanie is the outcast, and on “Mrs. Potato Head” she finally tells society to fuck off. It’s been a while since someone made fun of our obsession with beauty. Someone needed to write the line “No one will love you if you’re unattractive”. The best thing is how serene Melanie sounds. She’s sneering at society throughout the song and doesn’t even view the Beautiful People as someone worth fighting. They’re just ‘mrs. potato heads’.

4. Celldweller – Heart On

It’s epic. Why Celldweller doesn’t score all sci-fi films? Maybe because they’re not worthy of his music. “Heart On” is a Progressive-Bass-Rock-House music whose every drop is different until it climax in an anthem that sounds pretty hopeless. Klayton sings about all the things he’ll do for the girls, isn’t needing to do all that means she doesn’t care much? The song moves from section to section, never losing its focus. A genius is someone who can connect unrelated things, and here Klayton finds a balance between Progressive, House, bass wobbles, rock and even a pseudo-rap verse.

3. Faith No More – Superhero

It’s worrying at first when Patton screams. We had enough of him doing silly things with his voice. When the chorus kicks in the song reveals itself to be something else. This is the good Faith No More who made angst rock, but weirder. What makes this song so good is how it moves from a simple Nu Metal song to a more progressive atmospheric one. The shift isn’t even sudden. The bridge between the two parts takes the anthemic chorus and the atmospherics of the later part and gives us a smooth transition. Patton also sounds very hateful.

2. Enter Shikari – Aneasthetist

A pattern appears, but then again it’s an ideal one. Songs that encompass multiple ideas and genres are often the best. “Aneasthetist” is barley three minutes long but it manages to do so much – Hip-Hop, Metalcore, Big Beat and sounds effects from a hospital. It’s just the variety. The breakdown is one of Shikari’s best, with hospital sounds making accompanying the saw-like riffs. There’s always fear Shikari will revert to making generic rock (Because this is ‘unoriginal’ because it doesn’t sound like Led Zeppelin) but so far, they’re only getting weirder.

1. Celldweller – Jericho

It’s not as progressive as anything else on the album, but it’s unique. Most songs about wishing for someone’s downfall are anthemic in a way that invites everyone to do vocal acrobatics. “Jericho” always remains subdued. There are no guitars but just a bassline and a stomping drumbeat. All this makes it sound more sinister. Klayton’s vocals doesn’t need to explode, he doesn’t need to convince himself. He sings like he knows that the subject’s person walls will fall, and there’s a cruel smile all over the song.

0. Periphery – 22 Faces

There isn’t anything profound in this song. It’s just perfect. Every part, every line contributes to the whole. The structure is verse-chorus-verse, only every verse and every chorus is different. It makes me wonder why bands who just want to rock out don’t make songs like this. On the final chorus the singer everything explodes, a ‘fuck me’ that sounds spontanous and the riffs hit even harder. There might not be anything emotionally deep here, but this is everything I want in Rock music.

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Best Songs of 2015 – Part I

It’s been proven countless times. Music today is terrible, unlike music of the past. There’s no reason to listen to Enter Shikari’s experiments, Skrillex’s frantic energy or Martinez’s outcast pop when you can listen to Bowie’s outdated glam or Zeppelin’s pseudo-blues. Still, there are some good songs made today. This is the first part.

30. CHVRCHES – Leave a Trace

CHVRCHES’ first album was mainly songs about telling people to fuck off using cutsy synthpop. The new album is more varied but this song shows where their strength is. As always, it’s not explicit but Lauren’s harsh tone makes the line “Take care to leave a trace of a man” sounds so cruel. Lauren sounds hateful. She can barely view the guy who broke her heart as a man.

29. Barely Alive – Rough & Rugged

The Bass Music was scene was disappointing this year. The experimentation wasn’t as wide-eyed as before. Barely Alive still sound like it’s 2013, taking wobbles and mixing them in different types of beats. “Rough and Rugged” belongs in that unique house genre we don’t see enough of. It has a more complex, Hip-Hop influenced drumbeat. Plus, it’s full of tempo changes which gives a sense of structure. It’s a brilliant dance song, not just a DJ tool.

28. Of Monsters & Men – Wolves Without Teeth

This is the ideal music to play Skyrim to. ‘Glacial’ is the best word to describe it. Was playing Skyrim inspired them to switch to a colder sound? Everything sounds like icicles shivering in a cave. “Wolves Without Teeth” has the best melody of all the songs there. It helps it’s slightly warmer and less towards the epic side. It’s the perfect song to stroll in a snowy forest to.

27. Lana Del Rey – Music to Watch Boys To

Lana’s voice was always sexy as hell, but on this song she pushes it to the limit. It’s her sexiest song so far with the blunt statement on how she watches boys. There’s still an air of menace here, but the darkness in her music has been toned. Still, unlike a lot of singers who sing about sex Lana is actually being sexual.

26. Skrillex & Jauz – Squad Out!

I don’t know who’s most responsible for the brilliance of this. Jauz has been making great tracks and Skrillex has been moving away from wobbles. Still, he’s involved in a wobble-heavy song and the result is a throwback. It’s in the same style of Barely Alive but the wobbles are more vulgar now. The song is pure wobbles in a way that makes it border on a self-parody. It’s a trite expression, but it assaults the ears with wobbles more producers are killing for. It also changes as it goes on. Hopefully this trend will continue.

25. Insane Clown Posse – Mr. White Suit

They were never as bad as people said they are. They have a lot of horrible songs, but they also have a unique approach to Hip-Hop. No one sounds like them and no song by them sounds like “Mr. White Suit”. It’s a joyous song about a character who makes everyone’s life perfect. It has 3 hooks, all of which are incredibly catchy. The lyrics got no hidden messages about killing or kinky sex or bad humor. If this song was made by any other group, it’d get some acclaim.

24. The Prodigy – Medicine

The popularity of The Prodigy is baffling and obvious at the same time. They borrowed enough from Hip-Hop, Rock and Dance at an era where they all dominated the mainstream. Yet there’s something heavy about them. Their music is creative but it always takes a backseat to beating up the listener. “Medicine” is the best example of this from the new album. The vocals are what make the song. They sound wrong, like the singer is high on some drug and is probably talking to someone who isn’t there. I’m sure people have lots of great sex in their shows but songs like these make it feel like everyone just wants to beat each other up.

23. Faith No More – Cone of Shame

Thank God Patton discovered his voice again. He’s a brilliant musician who often gets caught up in being weird. “Cone of Shame” is an old-fashioned weird Nu Metal song with progressive elements. It builds slowly until it explodes into a climax where Patton alternates between screaming and singing in a clean, beautiful way. This isn’t weirdness for weirdness’ sake but an idea that changes and eventually concludes.

22. Bring Me the Horizon – Oh No

Listen to this and then listen to their debut. How many bands did such a radical change? Most of the new album is still rock, but this detour into gentle EDM is the complete opposite of their beginning and makes perfect sense. They borrow more from Nu Metal now anyway. There’s a unique class of break-up songs that sound both triumphant, accepting, sad and angry at the same. Sykes mourns the end while telling his lover to fuck off with a beautiful chorus that, hopefully, won’t be remixed in an Avicii song.

21. Papa Roach – Gravity

By this point, Papa Roach are a stadium rock band. That’s okay, because Shaddix is a good vocalist and they know how to write a hook. This attempt at making Hip-Hop again (And it’s their most Hip-Hop orientated song yet), like Horizon’s aforementioned track, is weird but they sound comfortable in it. Shaddix was one of the weaker rappers of the scene but here his voice is clear and he sounds like he missed rapping. The chorus is beautiful, too, sounding more tender than anything they made recently. It’s both a moment of tenderness and experimentation in the middle of an ordinary stadium rock album.

20. Carly Rae Jepsen – I Really Like You

Carly shouldn’t be a big thing. She makes simple, joyous Pop music about liking boys. Since now every Pop artist has a statement to make, her simple take on Pop is a statement on its own. Now that we forgot the endless parodies of “Call Me Maybe” we can enjoy this music for what it is. Until I heard this, I didn’t realize how much we needed this type of music. Carly sounds so happy as she repeats the word ‘really’ over and over. It’s a break from the Pop singers who are fine with misogyny to be with the cool guys and the messy personalities of Del Rey and Martinez. Now, I love the latter (the former can die) but we need this, too. Carly won where Swift lost. Unlike Swift, she sounds human, confused and excited about love.

19. Excision – Live Wire

Exicison used this as the final track for his mix. It’s not just because it’s brilliant, but because it disposes of all build-ups. The previous Bass Music tracks on this list still have breaks between the dros. Once “Live Wire” kicks in, it switches tempos constantly and proves how such a tiny change makes the same sounds feel different. “Live Wire” doesn’t add anything new, but it shows a producer perfecting his genre.

18. Primitive Race – Long in the Tooth

I’m glad someone decided 90’s Industrial Rock needs to come back. Everything that made that scene great is here. Raymond Watts is still an arresting personality with his vocals – menacing, badass and sexual in a way that sounds antisexual. The formula remains the same. Write a rock song and find enough bizarre mechanical sounds to stretch it to 5 minutes. Some genres are confining, but Industrial Rock isn’t.

17. Melanie Martinez – Dollhouse

I don’t get how Martinez isn’t bigger. Most Pop stars, even the sad ones, are personalities that society loves. Del Rey and Tove Lo have their troubles but if they were outcasts, they couldn’t complain about sex with bad guys. Martinez is an outcast, and just that makes her more original than all the rest. “Dollhouse” isn’t her best song but it’s the definitive one. It captures her aesthetics its themes. Her obsession with things having a nice cover to hide the terrible is here. The melody sounds like a nursery rhyme and the lyrics talk about a family which is dysfunctional underneath their perfect exterior. She could be more subtle, but there’s enough venom even in her worst lines to make them effective.

16. Fall Out Boy – Centuries

If you’re a rock band who fills up stadiums, songs about heartbreak start becoming less believable. You got groupies in the back. “Centuries” is a stadium anthem that sounds sincere. It’s the cockiest Rock song since Kid Rock’s Rap-Rock album. It makes most rappers sound humble. Stumpg goes on and on about how we will remember him for centuries and then others they’ll disappear soon. If I made a song as good as this, I’d be cocky too.

15. Crazy Town – Lemonface

Yes, they returned. They got critical backlash mostly for being in a genre that didn’t have a loty of mainstream bands. Their brand of Rap-Rock was closer to the wide-eyed approach of PWEI and Urban Dance Squad. “Lemonface” sees them going Industrial Rock, which they always flirted with anyway. You’ll hate it if you hate that brand of cocky angst rock that was big in the 90’s, but there’s something fun about how aggressive and happy it is at the same time.