So far, the Nu Metal revival was great but a little disappointing. We got bands that mined the genre for emotional. It sounds impossible, but there’s beauty in Islander’s “The Sadness of Graves” or Of Mice & Men’s “Another You” that no other band in the style had. Others just knew how to rock. What the revival didn’t have was a band that captured the original weirdness.
Nu Metal was, at its heart, a weird genre. The reason critics and True Metalheads whined about it was because they couldn’t keep up. Bands switched vocal styles and genres but still kept it simple. You don’t hear a song like Slipknot’s “Only One” anymore – a mish-mash of three genres that’s accessible enough to play Tekken to. Issues finally deliver what the revival needed – an album that’s as bizarre as it is catchy.
It was so easy to go the other route. It was so easy to feed the mosh kids what they want, play 100 more breakdowns with the occasional R&B break. Instead we get “The Released”, which explodes with a funky riff, rapped vocals and then towards R&B singing all backed by Djent guitars. The second single “COMA” sounds even more like Periphery remixing a Justin Bieber song. Previous Trancecore band still had some aggression in their vocals, but Carter forgets he’s in a rock band. If I were a Slayer fanboy, I’d be offended.
The problem with mixing genres is getting the balance. Some bands merely add elements – a rap verse here or a bass drop there. The most frustrating ones add so much you can’t ignore, but never enough to break out of their subgenre. In their beginning, Issues’ R&B elements were hard to ignore but were also not enough. “Stringray Affliction” may be brilliant, but it’s a Metalcore song spliced with an R&B outro.
Headspace isn’t completely genreless, but it’s diverse enough to make it only fit ‘Rock’ or ‘Nu Metal’. It’s not even that the band isolates the styles, playing a Djent song and then a Pop song. The songs don’t even switch sections. It’s the method of picking small elements, mixing them and creating a whole song. “The Realest” is the best example of this. Despite mixing Funk, R&B, Djent and Hip-Hop it still sounds like a whole song rather than hopping from one thing to another. What’s more impressive is that these outside influence aren’t filtered. The rapping in “Blue Wall” and “Someone Who Does” is convincing. The two vocalist can produce a Rap record and no one would guess they have a Rock background. It’s also no surprise Carter released a solo record, because he never sounds like a Rock singer imitating Craig David.
As exciting as the sound is, there’s also disappointment. Issues never go full weird. There’s nothing like “Kobrakai” or “Nobody’s Listening”. While the band managed to distill their influence into a coherent sound, they’re afraid of expanding on it. The songs never differ too much from another. “Blue Wall” is feels like the most radical departure here, only because it commits itself fully to brutal slamming. None of the song commits itself to anything, but the band merely plays variations on a sound.
They got hook to back it up, though. The sound isn’t the only attraction here. Issues use their sound to dress up already great hooks. In fact, the album is ridiculosly consistent. The only missteps are, perhaps, “Yung & Dum” which feels too redundant in going on and on about how fun it is to be young. It’s easy to forget there were singles when the songs remain catchy all the way through. They also borrow Periphery’s songcraft. While still relying on choruses, the verses are often different and the songs conclude (“Lost-n-Found” gang vocals are an album highlight). The band doesn’t just wants to have a gimmick or hit singles. They produce actual songs.
Anyone who’s moderately interested in music should hear this. People who like heavy music can use this as a gateway to beautiful melodies. People who love hooks and clean singing can use this as a gateway to harsh vocals. Many will still dislike it. The typical criticism of ‘they have no direction’ and ‘they’re gimmicky’ will surface, but these are just Slayer fans being stupid or Indie fans not knowing how to have fun. It’s the Blue Lines of Rock – an album that mixes genres seamlessly, creating a consistent sound and plenty of great songs.
4 wastes of headspace out of 5