The album sounds exactly like the build-up, and that’s not an entirely good thing.
Starting off with a long digression about the days before the release is pointless. In the end, it’s boring and in a few years most of the listeners will have no idea what it was like. What you should know is that the album went through countless name changes and tracklistings. It was so extreme that even at the end, right after Kanye streamed the album in a party his mind kept changing.
At first, it’s an artist slowly discovering what their new album is and showing us every step of the way. When even on the day of release they keep changing it, dumping all the tracks and not releasing the album on time it’s clear something is wrong. Kanye is talked about like some mad genius, but these qualities are always struggling against each other.
The last two Kanye albums that got people so hyped were tightly focused. It’s bizarre to think the same Kanye on this album also made “Runaway” a few years back. That song goes for 9 minutes and doesn’t waste a single second. It’s the definition of ‘astonishing’. Here, Kanye West has no idea what to do in 2 minutes. “Father Stretch My Hands” is divided into two parts, both of which don’t make any sense. It’s weird melodic-Trap-Rap thing that’s cool on paper, but it goes nowhere.
Kanye is incapable of writing a Pop song here. He actually has a hook, but he never turns that song into an actual Pop song. He jumps from one section to the next. The music it has more in common with is that spastic Post-Hardcore thing Chiodos and Protest the Hero do.
What’s weirder is that this isn’t an artist just dumping ideas. Half of it makes sense as a whole album, and the other sounds like things Kanye just got out of his system. Tracks like “Waves”, “FML”, “Wolves” and even “Fade” point to a new direction for Kanye. They see him pushing further into the Alternative R&B movement, but still maintaining a lot of Hip-Hop influence and a free-from structure. They’re exciting in how weird and accessible they are at the same time. It’s what Pop musicians make when they feel brave enough.
Then there’s “Freestyle 4” and “Feedback”, where Kanye sounds like he’s spitting some verses that he had no idea where to put. “Highlights” is a great Auto-Tuned Pop song that gets lost. Why is “No More Parties in LA” here? It sounds like it belong in 2004. I’m sure many will be excited over it, but it sounds out of place and only reinforces the feeling Kanye had no idea what to do with this.
The structure of the album creates a weird effect. Almost every song sounds worst in it, yet the album works great as a whole. It’s easy to miss the beauty of “Waves” and “Wolves” when sit next to “30 Hours” and “Feedback”, but it’s fascinating to hear this from beginning to end. It’s not exactly a genre-bending album. Kanye’s too unfocused to this. The album is still varied and experimental, just because of Kanye’s nature. As scattered as it is, it shows that perhaps Kanye is incapable of making a bad album.
The result is a confusing album that challenges in a fun way. It’s hard to get a grip on what the album tries to be because there are literally two albums fighting for dominance. Listening to see it is seeing an artist who is now original by nature, who doesn’t have to try too hard to be weird. It lacks the focus of Yeezus, but it proves Kanye still has plenty to offer. He was just in a mental state that didn’t allow him to make a coherent album at the moment. Why didn’t he include “All Day” or “FourFiveSeconds” though?
There are also plenty of songs to take away from. In isolation, plenty of these songs work. They may less immediate, but “Ultralight Beam” and “Fade” are both new directions for Kanye West. The former is a weird Gospel number that doesn’t sound like anything. The latter jumps on the Deep House bandwagon, but destroys everything released today with how it progresses, until it reaches the brilliant lyrics (“I’ve been on my shit/Whole world on my dick”) and the breakdown. “30 Hours” is minimalistic and simple, but also beauitful in its serenity. Kanye even managed to produce the best skit of all time with “I Love Kanye”. It actually adds a lot, stuck in the middle of the album. If you need any further proof Kanye is off his mind in the best way, this is it. If the album wasn’t messy enough, Kanye pauses it to talk about himself.
The Life of Pablo is a big event, but the album is overall underwhelming. It’s scattershot and messy. It’s not just that Kanye can’t hold himself back, but that he doesn’t know what his album should be. He can’t even settle on the idea of ‘messy album with no direction’. Still, it’s fun to just hear him try to find sense, and it does have “Fade”.