I wonder if people who think ‘music isn’t as good as it used to be’ are taking the same drugs the Doors were into. You don’t have to go too far into modern times for this to sound dated. A year after this came out Iron Butterfly dropped “In-A-Gadda-Da-Vida”. It was the same year the famous version of “Just Dropped In” was released. How did this stick in people’s consciousness?
I can understand why, but it’s not a flattering reason. The Doors sound like the protoypical ‘classic rock’ album. It’s a little loud, it has sex in it and some psychedelia to give it an edge. It has some long songs and it sounds very important. That’s the difference between “Light My Fire” and that Iron Butterfly song. Iron Butterfly just got a banging bassline and rode for 17 minutes. The Doors were sure they discovered new frontiers.
Maybe they did back then. The record has some charm in how big it is and how much it thinks of itself. Every song is deliberate, revolving a clear idea. The sequencing makes perfect sense. The first is a fast-paced rocker. The second is a macho pick-up-women song. The third is a weirder psychedelic ballad. The band wisely chooses these songs to introduce people to basics. “Light My Fire” comes later, after you’re used to the band to show you they can be weird.
Of course, ‘weird’ back then meant long songs and free improvisation. “Light My Fire” just sounds like an ordinary rock song with a jamming session. It works there because finally the band lets out all the energy they have. Add an extra minute or so to that section and the song wouldn’t be any worse.
The difference between that song and everything else is that it’s less caught up in making a statement. Compare it to “The End” (which sounded way better when I saw Apocalypse Now). “The End” doesn’t justify its length. The band tries hard to let you know this is the climatic ending with drum rolls, a serious atmosphere and Jim Morrison telling you it’s the end. The result is just showing off, but no energy or fun or substance. On “Light My Fire”, they just bang their instruments.
The album is part of the era before Rock was divorced from its rock influence. It’s no wonder artists were so confused. Only later artists like Black Sabbath and Five Horse Johnson knew how Blues worked and combined it with loud guitars. The band thinks being theatrical equals to being bluesy. The cultural appropriation debate is pretty stupid, but not as “Back Door Man”. It’s better than Led Zeppelin’s attempts, but it sounds the guys heard some Blues on the radio and made a song based on a few parts.
Even at their best, it’s just serviceable classic rock to play in bars so no one would get offended. There’s nothing really annoying about “Soul Kitchen” or “Break On Through”. They’re pretty catchy and fun, but they don’t have that attitude that made “Just Dropped In” so successful.
Psychedelic Rock can work in two ways. Either the band sounds like they’re off in another dimension, or that they make a melodic, pleasant song with weird sounds. The Doors only try the former on “The End” and “End of the Night”. Neither of them are weird enough, but the latter is good enough to make it the blueprint for the next album. When they try the other method, they make some pleasant music but nothing like the Zombies or Monster Magnet or “Planet Caravan”. The worst are the songs where their sense of self-importance comes through. “Take It As It Comes” is the sort of Classic Rock crap that ignorant listeners think is ‘meaningful’.
I heard that Morrison’s lyrics are supposed to be a big deal. I hear nothing attention-grabbing. No lyrics are bad or good. What exactly is a soul kitchen? I don’t know, but the song doesn’t make me care to find out. It’s easy to assume Morrison just wants to have sex with that woman. Weird lyrics that don’t make sense are a lot of fun. Even if the lyrics were moronic, I would’ve enjoyed them. Morrison’s lyrics are just various ways to tell a woman he wants sex without the vulgarity. It’s less impressive on record.
There are some fun songs here, but what’s the point? The psychedelic parts are rudimentary and you’re better off with their next album, or any of Monster Magnet’s psychedelic works. If you enjoyed the bluesy stuff here, check their own L.A. Woman or Black Sabbath. The Doors sound excited here. It does make these ideas sound new, but everyone – including the band – improved on this.
2 doors out of 5