Despite putting a lot of effort into fighting against White People in the name of anti-racism, silly SJW’s forgot one crucial, undeniable fact about White People. White People can’t dance.
That’s not true. There are plenty of white musicians who made great dance music. Listening to True, though, makes you take that statement seriously. It has nothing to do with the so-called ‘country’ influence. In fact, Avicii fails to understand that genre, too. Is that cultural appropriation?
True doesn’t combine Country/Folk and EDM. In order to do that, Avicii would need an understanding of these genres, and to find a common ground between them. It can be hard with these genres, which are almost opposite. The difficulty is not an excuse for the lack of imagination.
“Wake Me Up” is a mash-up of acoustic guitars, typical serious lyrics about profound positive truths and a melodic drop, just in case Skrillex is too much for you. Most of the tracks are the same – the Adele-aping “Addicted to You” and “Hey Brother”.
As pop songs, they’re not too bad. Listening to them after people stopped blasting them from their phones, they’re actually pretty good. Avicii isn’t the songs’ strength, though. Whenever Avicii steps up to provide a melodic breakdown, he seems to be trying to combine beautiful melodies with the energy of Dada Life.
This doesn’t work. Dada Life get their energy from their aggressive, buzzing sound. Melody can accompny rhythm, but it can’t take its place. That’s the problem with Avicii. He thinks melody can lead a dance song, and that sticking an acoustic guitar makes your song country. It’s like a worse version of Anrew Huang’s 26 Genre Song.
It gets worse whenever Avicii doesn’t pretend to experiment. “Dear Boy” is stretched to seven minutes in an attempt to make us thing it’s progressive house. “You Make Me” is nonsense. “Hope There’s Someone” is a useless cover that also thinks there’s room for such seriousness at parties. At least, when attempting ‘Country’ Avicii had enough spark to attempt making a catchy melody. It was false experimentation, but Avicii believed he was stepping into something original. The more ordinary pop songs are Music For People Who Don’t Like Dance Music.
Only two songs here rise above everything, and oddly enough they come from the two styles. “Shame On Me” finally finds a bridge between Bluegrass and EDM, has the best melody on the album and a talk box. “Lay Me Down” is just a great pop song, and the only thing here that has a bassline.
Avicii became one of the most popular DJ’s because he delivers dance music that contains little of what makes it work, yet has all the apperance. There is a future for him, if he’s willing to give up making EDM and settle for Pop music. He does have a better touch with melody than other famous producers, but this isn’t the genre he should working in.
2 brothers out of 5