Coldplay – Parachutes

coldplay-parachutes_cd

“Yellow” has plenty of loud, crunchy guitars. There’s no Coldplay song that rocks this hard. Its existence is puzzling.

The two things that first come to mind about Parachutes are both misleading. Parachutes can sound like just the beginning of a band who became the biggest. It also can also sound like someone erased the subtitle Songs Inspired By Radiohead’s the Bends. Both of these views are misleading, and miss the point of what Parachutes is trying achieve.

It has the same sound as The Bends on the surface, including flirting with Space Rock on “Yellow” and “High Speed”. The atmosphere and the emotional core though, are different. Radiohead, as soft as they are, belong more with Nine Inch Nails and Industrial music in terms of emotions. The music is always cold, scared and paranoid. The difference between Radiohead and Nine Inch Nails is that Radiohead is the sound of not even trying to fight. In Radiohead’s world, there’s an antagonist. There’s no such thing in Coldplay’s Parachutes.

Parachutes is warm. It’s all about achieving an emotional intimacy with the listener. It turns down the distortion and hard drumming because this isn’t music to performed in a stadium. It’s meant to be listened late at night when you’re not sure if you’re feeling that bad. That’s where you get the slow bass in “Sparks” or the twinkling guitars in “Shiver”. The guitar playing also owes more to Midwest Emo than Radiohead. It creates twinkling sounds that engulfe the listener to create warmth. They’re not trying to create a texture as cold as modern life.

That’s why viewing this as a small debut album is doing it an injustice. It reveals exactly why Coldplay failed often after this. They’re not suited for making big music for big stadiums. The minimalism is not because of a lack of ideas, or because of fear of trying. Coldplay had a clear idea what Parachutes is. If they broke up after making this, it’d make sense.

It’s an album that gets its idea for most of its length. “Sparks” is the best example of the sound, with a bassline that makes the whole song. “Yellow”, despite being the loudest thing the band has ever done, has a Space Rock edge to it that brings it back to the concept. Warm Space Rock sounds impossible after “Planet Caravan”, but it exists. “Shiver” is the obvious highlight. It does sound a bit like Jeff Buckley, but it’s good in the same way Jeff Buckley was good.

It does sound like a classic in those great moments, especially in “Sparks” and “Shiver”. The problem is, while the band is excellent, Chris Martin brings everything down. He’s less the problem than what he sings. Plenty of times, he’s just given good enough when melodies. “We Never Change”, “Trouble” and “Spies” are all beautiful in instrumental department, but the melody Martin sings has none of the inspiration the band has. Remove the vocals, and it’s brilliant. Add them, and you’re getting a lot of noise preventing you from enjoying the song.

Chris Martin is also a fan of the falsetto, which is a problem. I’m sure the falsetto is hard to achieve, but it’s not a good defense of the technique. In fact, it makes it seem worse. Singing in this kind of album needs to sound natural, no matter how hard you practiced for it. Coldplay are trying to get an intimate atmosphere, after all. You can’t achieve that by making yourself seem different. Whenever Martin breaks into the falsetto, all it does is tells us Martin spent some time practicing. That’s great, but it sucks the emotions out the songs. Just listen to “High Speed” or “Shiver” and how well the choruses work without the falsetto.

Trying to understand why Coldplay are now the biggest band is fruitless. The band just appealed to a lot of people. They don’t have anything unique in them, and that’s okay. Parachutes is successful at what it does most of the time, even if the falsetto is too much sometimes. It doesn’t to seem to be going anywhere, so we’ll make do with what we have. “High Speed”, “Shiver” and “Sparks” are all very good songs anyway. Be prepared to be let down by the next installment.

3 Parachutes out of 5

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